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    <loc>https://www.yutakainagawa.net/work</loc>
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    <lastmod>2025-10-11</lastmod>
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      <image:title>Work</image:title>
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      <image:title>Work - one page advert on Glass Magazine Change issue 2017, design by Studio Niji</image:title>
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      <image:title>Work</image:title>
      <image:caption>Images selected from Glass Magazine photoshoots of the preceding 5 years were combined to create a kaleidoscopic vision of the high-end fashion scene.</image:caption>
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      <image:title>Work</image:title>
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      <image:title>Work - all photos by Kiyohito Mikami</image:title>
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      <image:caption>Installation shot from Another Pair of Eyes (Library at Duddell's)</image:caption>
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      <image:title>Work - Dazzling Climbing Hold_02, 2018, wall-based installation</image:title>
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      <image:caption>Authors, poets, and artists from various backgrounds were invited to contribute. The collected work was then used to generate a total of 81 images, which were uploaded one per day to various social media to establish a digital presence parallel to Art Gallery Miyauchi's physical existence.</image:caption>
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      <image:title>Work</image:title>
      <image:caption>Seating for both the artists and the audience was dispersed throughout Art Gallery Miyauchi. This seating configuration encouraged the audience to become an integral part of the artwork in the space.</image:caption>
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      <image:title>Work - installation shot at Creative Center Osaka (4/F), all photos by Kiyohito Mikami</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/bc9f56d0-c094-489e-89a4-d39b780670fe/2019-434.jpg</image:loc>
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      <image:title>Work</image:title>
      <image:caption>The installation treats painting as a porous body rather than a sealed façade. Unfinished canvases—graphite vectors exposed, primer still breathing—behave like membranes, absorbing foreign matter as they negotiate their own becoming. Circling them are hybrid agents: timber slivers glazed in metal leaf, resin‑hardened gloves that read as the moulting of the artist’s hands, excised letterforms adrift from language, and printed montages that hover between image and residue. Each element speaks its own dialect, yet none is allowed to crystallise; the entire room remains in a state of suspended translation. Spatially, the exhibition unfolds in concentric argument. Wall‑bound works stage the possibility of a painting that never closes, recruiting stretcher fragments, unstretched canvas, and even a dismantled bed‑head to play host to incomplete images. Near the threshold, a glass vitrine condenses the show’s material alphabet: aligned gloves, machined timbers, letterform negatives, stray montage shards—an abstract lexicon previewing the negotiations to come. At the centre, a lone table serves as geological cutaway, lifting collage layers above an illusory ground plane while exposing a shadow shelf below, a notional substratum where painterly debris continues to settle. Together these zones form a single speculative apparatus. They ask how far a painting can dilate before it forfeits its name, how much incompleteness it can sustain before coherence dissolves, and whether the medium’s authority survives contact with the unruly materials that both animate and undermine it. In withholding closure, Inagawa proposes a more generous completeness—one that remains hospitable to contingency, allowing the digital, the physical, and the imaginary to renegotiate their borders in perpetuity. 本インスタレーションは、絵画を密閉された平面ではなく、外部と通じ合う多孔質の〈身体〉として再考する試みである。グラファイトの投影線や下地のジェッソが露わなまま残る小さな正方形キャンバスは、生成途上の膜となり、周囲の異物を取り込みながら自らの輪郭を揺るがせる。その周囲には、金属箔で化粧された木片、作家の手の抜け殻のような樹脂硬化グローブ、文字を切り抜いたあとに残る板材のネガ（文字の“負形”）、漂流するプリント・モンタージュが巡る。いずれも固有の語法を携えつつ決して安定せず、空間全体を「未完の翻訳状態」にとどめる。 展示は三層構造の思考実験として展開する。壁面では、ストレッチャー断片や木枠から剥がされたキャンバス、解体されたベッドヘッドなどが「閉じきらない絵画」の肉体を組成し、イメージとオブジェの境界を溶解させる。入り口付近のガラスショーケース内部には、樹脂化したグローブや加工木材、文字の負形、漂うモンタージュ片が凝縮され、素材のアルファベット──展示全体の語彙集──を提示する。中央のテーブルは地質断面図のように置かれ、コラージュ片とプリント層を〈地表〉と〈地下〉に折り重ねることで、絵画（ペインティング）が孕む多層的な階層を可視化する。 こうして空間は、解決済みのアートピースの集合ではなく、ひとつの思索装置として立ち上がる。絵画はどこまで拡張すればなお絵画たり得るのか。どれほどの未完を抱えていられるのか。絵画の論理は、それを支えながら同時に攪乱もする物質世界との接触に耐え得るのか。稲川は終止符を故意に先延ばしにし、偶発性に開かれた「寛容な完成」を提案する。その内部でデジタル／フィジカル／イマジナリーは絶えず境界を再交渉し、揺らぎ続ける。</image:caption>
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      <image:caption>Say to Day Multilingual cross-discipline exploration En / 中 / 日 Artist: Yutaka Inagawa Curator: Ying Kwok Launch date: 19 December 2020 Website: www.say-to-day.com IG: https://www.instagram.com/say.to.day/ Say to Day is an online digital collaboration between Onomichi (Japan) based artist Yutaka Inagawa, and Hong Kong based independent curator Ying Kwok (senior curator at Tai Kwun- Center for Heritage and Arts, 2021-) On the website, there are two rows—an upper and a lower—each consisting of six sections: “A place like this / Nocturnal / Face / Hoody / Confession / upside-down” (upper row), and “We like that / Afterlife / Griff / Flood / Complexion / wrongside-out” (lower row). These two rows relate to each other in pairs, engaging with the reality on the other side. On Instagram, the scroll-like landscape that has been posted reveals a breadth of interconnectedness lurking within the lower structure, presenting a wide range of correlations. In addition to English, Japanese, and Chinese, various forms of visual language interweave across multiple media. Say to Day はアーティストの稲川豊（尾道在住）とインディペンデント・キュレーターのイン・クウォック（香港在住）によるオンライン・デジタル・コラボレーションである。 ウェブサイトでは　A place like this / Nocturnal / Face /Hoody / Confession / upside-down（上）、We like that / Afterlife / Griff / Flood / Complexion /wrongside-out（下）、それぞれ6つのセクションからなる上下２列のラインは相互に関係しペアをなし、対岸のリアリティへ干渉する。 インスタグラムでは貼り付けられた掛け軸的なランドスケープが、下の構造に潜り込んだ様々な振り幅の相関性(interconnectedness)を提示している。 英語／日本語／中国語に加え、メディアを越境して紡がれる様々な視覚言語が交差する。</image:caption>
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      <image:caption>The polyphony created by differing artistic voices plays a vital role in the project ONLY CONNECT which brings together four directors; Yutaka Inagawa, artist duo Mouhitori (Tamaki Ono &amp; Kiyohito Mikami) and Hitomi Kamemoto (Studio Niji). The participant’s concerns as artists or curators are used to construct an interdisciplinary platform for contemporary experiments and idea sharing. Design direction: Studio Niji</image:caption>
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      <image:title>Work - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Work - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Work - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Work - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Work - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Work - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Work - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1669773105714-OJZD4GSXRAY2PSSFJNUM/easyM_installation_view_R3-180.jpg</image:loc>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1667895260111-QCXQ0Z7OL7LSBGS88SOX/palceed_image.jpg</image:loc>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1672094194712-20XCW2M5008RFBAPMPMS/easyM_garden-2_s.jpg</image:loc>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1719464738122-AR2BWEJRWNMNHX286GHU/odd_sock08.jpg</image:loc>
      <image:title>Work - Make it stand out</image:title>
      <image:caption>Photo by Kensuke Hashimoto | Courtesy of Art Gallery Miyauchi A diverse collection of artworks on the first floor, each creatively juxtaposed within the enigmatic realms designed by Yutaka Inagawa.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1719373410619-L2REXNZSLAEU4AQGLEHZ/7RV01034-20240427.jpg</image:loc>
      <image:title>Work - Make it stand out</image:title>
      <image:caption>Photo by Kensuke Hashimoto | Courtesy of Art Gallery Miyauchi Featuring a series of eight A1-sized posters displaying manipulated email correspondences reenacted by AI avatars of both Yutaka Inagawa and Taro Izumi. These works, alongside art by Alma Tischlerwood, South Ho, and Kara Chin, are structured within uniquely whimsical environments crafted by Inagawa.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/2ded87d6-7233-403f-af16-0e70c611da39/7RV01253-20240427.jpg</image:loc>
      <image:title>Work - Make it stand out</image:title>
      <image:caption>Photo by Kensuke Hashimoto | Courtesy of Art Gallery Miyauchi A broad selection of artworks on the second floor, each strategically juxtaposed within the interwoven environments envisioned by Yutaka Inagawa.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/b5c0b742-ab20-41e4-b2b9-a957ce7caff1/7RV00574-20240425.jpg</image:loc>
      <image:title>Work - Make it stand out</image:title>
      <image:caption>Photo by Kensuke Hashimoto | Courtesy of Art Gallery Miyauchi  Second-floor installation view juxtaposing works by Anthony Chin, Guanyu Xu, and Ryo Uchida within bespoke environments structured by Yutaka Inagawa.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/16693483-78db-481a-95e2-0cbce50fb3eb/IMG_9170.JPG</image:loc>
      <image:title>Work - Make it stand out</image:title>
      <image:caption>Scene from “See Like a Bee” by Bill and Hayley, played by Anna Francis and Rebecca Davies. [SEE MORE IMAGES HERE]</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/74839146-8a78-4505-acff-fcb84a5d79b5/449112752_18416344357071756_5653462877599923393_n.jpg</image:loc>
      <image:title>Work - Make it stand out</image:title>
      <image:caption>Moment from "Send a Zamboa, Receive a Pomelo, Return No Buntan" by Taro Izumi. [SEE MORE IMAGES HERE]</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/ad9ab4bc-1643-49ac-972a-3052d14d6dc8/DSC07009%E3%82%B3%E3%83%94%E3%83%BC.JPG</image:loc>
      <image:title>Work - Make it stand out</image:title>
      <image:caption>Talk Sessions: BE/BIND/BREATHE/BUILD/BLOOM/BESTOW/BOND From left to right: Nemi Kubota (interpreter), Ying Kwok (moderator), Yutaka Inagawa (speaker), and Kodama Kanazawa (independent curator). On the screen, top to bottom: South Ho (artist) and Kong Chun Hei (artist).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1720766718310-M9C3ZLGCJJL6LLLNYBX4/IMG_9257.JPG</image:loc>
      <image:title>Work - Make it stand out</image:title>
      <image:caption>workshop: Portland Palissy Session designed and Conducted by: The Portland Inn Project</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1720768245810-65CVMK8ODFZQPSPMAZ8P/att.WIpIytPzczA1mofEzKxnKmecrLCfxl3f1And4TWdSFc.jpg</image:loc>
      <image:title>Work - Make it stand out</image:title>
      <image:caption>Workshop: The Everyday Mindfulness designed and Conducted by: Wang Ruobing and Sai</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1712443290163-4NH0DBPAIBCZV7GQ3K8P/2_1800x1050.jpg</image:loc>
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      <image:caption>Exhibition PR materials, including the poster, leaflet, and website/social media banners, were designed by Mihoko Homma.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/c630c9b3-11c2-4825-8e85-da592d453b88/AI_mail_poster_%EF%BC%98%E6%9E%9A_%E3%83%9A%E3%83%BC%E3%82%B8_1.jpg</image:loc>
      <image:title>Work - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/65249c40-c368-431f-b470-c209d011ddb4/AI_mail_poster_%EF%BC%98%E6%9E%9A_%E3%83%9A%E3%83%BC%E3%82%B8_2.jpg</image:loc>
      <image:title>Work - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/968e0a84-c82c-472e-b84a-019c09e49360/AI_mail_poster_%EF%BC%98%E6%9E%9A_%E3%83%9A%E3%83%BC%E3%82%B8_3.jpg</image:loc>
      <image:title>Work - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/7bcd8275-6ae7-4d59-ba3d-d66e8858f20f/AI_mail_poster_%EF%BC%98%E6%9E%9A_%E3%83%9A%E3%83%BC%E3%82%B8_4.jpg</image:loc>
      <image:title>Work - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/8cfa4125-8455-407e-957b-afbcaafdb35e/AI_mail_poster_%EF%BC%98%E6%9E%9A_%E3%83%9A%E3%83%BC%E3%82%B8_5.jpg</image:loc>
      <image:title>Work - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/c4203cac-9a4c-4825-9a29-b5b4cc826b49/AI_mail_poster_%EF%BC%98%E6%9E%9A_%E3%83%9A%E3%83%BC%E3%82%B8_6.jpg</image:loc>
      <image:title>Work - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/64f70117-8b9d-4468-bc63-cd37d0c45954/AI_mail_poster_%EF%BC%98%E6%9E%9A_%E3%83%9A%E3%83%BC%E3%82%B8_7.jpg</image:loc>
      <image:title>Work - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/f5f90c64-355f-45b5-aea9-c8cdb475ce73/AI_mail_poster_%EF%BC%98%E6%9E%9A_%E3%83%9A%E3%83%BC%E3%82%B8_8.jpg</image:loc>
      <image:title>Work - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739168094762-6JBSBOD4P6MK155ECTV5/flyer_check.jpg</image:loc>
      <image:title>Work</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739165671441-0HGC16UU9D61PB4VBJMF/IMG_4952.jpg</image:loc>
      <image:title>Work - Susanna Tan's 待景(Tai-kei): A Garden Song (2024) and  (待山(Tai-san): The Waiting Mountain (2024)</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739166331822-7QU768R49FCMVH0NAOK4/IMG_5088.jpg</image:loc>
      <image:title>Work - Susanna Tan  (待山(Tai-san): The Waiting Mountain (2024)</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739165609198-W619729WCYUJKTQIKWKO/IMG_4933.jpg</image:loc>
      <image:title>Work</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739166151364-OAXVBCUX9LT0NB082ZMG/IMG_5041.jpg</image:loc>
      <image:title>Work</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739166230817-Z2ADBC4RAC1JNJN620ZX/IMG_5078.jpg</image:loc>
      <image:title>Work</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739167570207-7ME8Y2ON6J7LQW92PHJ6/%E8%A3%9C%E6%AD%A3%E6%B8%88%E3%81%BF001-10.jpg</image:loc>
      <image:title>Work</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739167221952-J006MZC2K2SVMV61EVQM/%E8%A3%9C%E6%AD%A3%E6%B8%88%E3%81%BF001-6.jpg</image:loc>
      <image:title>Work - Yumi Nishimura, Flat Characters  (2015) (right) and A Painting I Can No Longuer Complete on Wood (2024)(left)</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739165528221-DNP5JIR6OBYKVHO1AD4B/IMG_4911.jpg</image:loc>
      <image:title>Work</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739165640026-LN8ZQMT1WI28UDNZASI8/IMG_4940.jpg</image:loc>
      <image:title>Work</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739166785403-MG2813LLL9FAF8XIFJSQ/IMG_5309.jpg</image:loc>
      <image:title>Work - Yumi Nishimura, Following from Yukiko”s work #1-13 (2024)</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739166731335-8VED2EQXG6UTZ6VWSYVE/IMG_5308.jpg</image:loc>
      <image:title>Work</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739165570932-PTS5GAXJ3VYFOOCC4XDY/IMG_4927.jpg</image:loc>
      <image:title>Work - Nana Tsugawa, Warehouse of Drawings (2020-2024)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739166807144-WMZBFY3RZUPELPIDY026/IMG_5332.jpg</image:loc>
      <image:title>Work</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739171019907-2DBFC23M39XUV5SEFUMS/%E8%A3%9C%E6%AD%A3%E6%B8%88%E3%81%BF04-1.jpg</image:loc>
      <image:title>Work</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739167223627-38HHQRI48TX93JH028XT/%E8%A3%9C%E6%AD%A3%E6%B8%88%E3%81%BF001-5.jpg</image:loc>
      <image:title>Work</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739165860188-SGX6R14JT3KUM4WDDGW5/IMG_4954.jpg</image:loc>
      <image:title>Work - NG Hui Hsien, Dewdrops in the morning sun (2024)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739166746005-RA36BIABNHGRUKWHQ5WP/IMG_5234.jpg</image:loc>
      <image:title>Work</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739167410803-GCPZ8ES9XNRUOVMKAEDF/%E8%A3%9C%E6%AD%A3%E6%B8%88%E3%81%BF001-7.jpg</image:loc>
      <image:title>Work</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739167292380-UGFUXON083BOGBK3DGOZ/%E8%A3%9C%E6%AD%A3%E6%B8%88%E3%81%BF001-8.jpg</image:loc>
      <image:title>Work</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739165914325-G068AAU6UQ68MRIU7H5N/IMG_4976.jpg</image:loc>
      <image:title>Work</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739166048516-Q7MCQINYLKHU93NM3D0A/IMG_4996.jpg</image:loc>
      <image:title>Work - Liu Liling, White Pearl (2024)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739166088073-2J3IGGCX9RMVLU1HY9US/IMG_5013.jpg</image:loc>
      <image:title>Work</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739165438580-7J27KL0T20PAVK7TRB43/IMG_4890.jpg</image:loc>
      <image:title>Work - Ayaka Yoshida, What Should Have Been (2024)</image:title>
      <image:caption />
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739166884387-5RJEGTOT1132SULL26SP/IMG_5429.jpg</image:loc>
      <image:title>Work - Ayaka Yoshida, Although the Color May Be Green, the Fragrance May Be Yellow, (2024)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739165469613-REV6V7B755NBV8X6KXWI/IMG_4894.jpg</image:loc>
      <image:title>Work - Ayaka Yoshida, Uncompromising Demands on Nature (2024)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739165975277-58NBBYGNWKPE0MA52CF9/IMG_4985.jpg</image:loc>
      <image:title>Work</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739167129058-ZDJNZ9BVDR8B7EIIKQJ8/%E8%A3%9C%E6%AD%A3%E6%B8%88%E3%81%BF001-3.jpg</image:loc>
      <image:title>Work - Yumi Nishimura, Photo Frame (1994) (left),  緑映 (Ryoku-ei): Reflected Greenery (2024) (right)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739165501269-ZZFY5FTFDW703A5W5WUJ/IMG_4906+2.jpg</image:loc>
      <image:title>Work</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739167085236-8PR5JZFFU49WBTOVI7TJ/%E8%A3%9C%E6%AD%A3%E6%B8%88%E3%81%BF001-4.jpg</image:loc>
      <image:title>Work</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739167033190-P278SBUJ38MQJKD3KNZW/%E8%A3%9C%E6%AD%A3%E6%B8%88%E3%81%BF001-2.jpg</image:loc>
      <image:title>Work - Yumi Nishimura, A painting I can no longer complete. Flat characters (2024)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739166415211-Z4CJL43T8QIGT7896YI3/IMG_5113.jpg</image:loc>
      <image:title>Work</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739166665282-WV5IN6Q278RDT4SCQ8BQ/IMG_5127.jpg</image:loc>
      <image:title>Work - Liu Liling, Islet Dew II (2024)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739166495046-GKG2GWOQFUF2VC9P7EUG/IMG_5124.jpg</image:loc>
      <image:title>Work</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739166633825-BAUDNH9Y7MXWYGDJSDVI/IMG_5137.jpg</image:loc>
      <image:title>Work</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739166939341-O4FVUXMMCHAXCYFBRVS3/%E8%A3%9C%E6%AD%A3%E6%B8%88%E3%81%BF001-1.jpg</image:loc>
      <image:title>Work - Ayaka Yoshida, What Should Have Been (2024)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739166860632-R1YBWK6QZ4E8SNWV2YEJ/IMG_5427.jpg</image:loc>
      <image:title>Work - Yumi Nishimura,   図形的登場人物（Flat characters）(2015)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739170752600-AY89APP6Y19Q9601XDKL/%E8%A3%9C%E6%AD%A3%E6%B8%88%E3%81%BF002-1_s.jpg</image:loc>
      <image:title>Work - Susanna Tan,  待樹(Tai-ju): Patience of a Broken Pine) , 2024</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739167581039-P3EA08JYT8LQ9RQC7H3A/%E8%A3%9C%E6%AD%A3%E6%B8%88%E3%81%BF002-2.jpg</image:loc>
      <image:title>Work</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/cd833efd-a059-4503-b69c-030bf7f6c2bc/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2025-01-05+13.47.01.png</image:loc>
      <image:title>Work - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/878ab2d2-c10a-4940-9007-d28db7c39e24/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2025-01-05+13.50.57.png</image:loc>
      <image:title>Work - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/e8b95228-8706-48c4-9f08-b6eb6840ad89/video_still_yutaka_03.jpg</image:loc>
      <image:title>Work - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/f3d43d1f-1a8c-4074-89a7-bdbb88c541c9/video_still_yutaka_07.jpg</image:loc>
      <image:title>Work - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/cc1d17e6-9375-4f40-93c6-ceee9a2c87f3/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2025-01-05+13.52.01.png</image:loc>
      <image:title>Work - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/f241b824-7c20-4702-9681-b32ba1f8b7fb/video_still_yutaka_06.jpg</image:loc>
      <image:title>Work - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/8edb4039-3c91-445f-8730-9127c6ea7c4b/video_still_yutaka_02.jpg</image:loc>
      <image:title>Work - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/964ceffe-467d-42ab-b9e6-764095f2a1d4/video_still_yutaka_05.jpg</image:loc>
      <image:title>Work - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/23f1c51f-b3db-443e-8f83-7ecf44aac9cf/video_still_yutaka_01.jpg</image:loc>
      <image:title>Work - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1e4153c9-6479-4756-a8d3-a563d0031983/5pencils_are_Mtfear04.jpg</image:loc>
      <image:title>Work - Make it stand out</image:title>
      <image:caption>Still from “5 Pencils are Mt.Fear” (2019), presented at the “Jo-Kei” (2021) marathon screening in Onomichi.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/f4a389bf-692f-412b-b67a-9486faafa6e4/5pencils_are_Mtfear.jpg</image:loc>
      <image:title>Work - Make it stand out</image:title>
      <image:caption>Still from “5 Pencils are Mt.Fear” (2019), presented at the “Jo-Kei” marathon screening in Onomichi.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/3f90d7d2-c498-41eb-a4a7-7da97e467709/5pencils_are_Mtfear09.jpg</image:loc>
      <image:title>Work - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/30e1d251-b90f-494f-9fba-acdf2c10f44b/5pencils_are_Mtfear08.jpg</image:loc>
      <image:title>Work - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/803403d3-434c-4cbe-bb88-2b6bfeac6b91/5pencils_are_Mtfear06.jpg</image:loc>
      <image:title>Work - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1541984309096-ICHCXDA0QXGKYK0PVYSH/_DSC4919-2.jpg</image:loc>
      <image:title>Work - Make it stand out</image:title>
      <image:caption>installation view, Motionless Boundary | "Visions of Stillness" Art from Japan, Singapore and Taiwan (group show), 2018 at DaXin Art Museum, Tainan, Taiwan. Curated by Sze Yang BOO &amp; I Ling HSIAO photo: Kiyohito Mikami</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1541984358137-RZCMITD4GEN5DTLGRTY7/_DSC4939-2.jpg</image:loc>
      <image:title>Work - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1541984342987-YMAOP8BCKKE0WVT4ZK2X/_DSC4935.jpg</image:loc>
      <image:title>Work - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1541984326092-86K31ADSKEDOQVW5P2C9/_DSC4932-2.jpg</image:loc>
      <image:title>Work - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1693381459469-EF7LVEUTKKMMOKESEZ8E/2019-434.jpg</image:loc>
      <image:title>Work - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1537494767970-ELPQ38Q9YVAGSDTLHPIZ/image2018_004.jpg</image:loc>
      <image:title>Work</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1537494863698-XOJ0H82SMI1ZN27A2GKM/image2018_002.jpg</image:loc>
      <image:title>Work</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1693381282045-77K3ARZO11IH6I6EFY7O/2019-384.jpg</image:loc>
      <image:title>Work</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1537494813500-CQVFWDD0LSDZFALMF843/image2018_003.jpg</image:loc>
      <image:title>Work</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1693381402399-V6H5YDEZYMF08ZSS8V2G/2019-403.jpg</image:loc>
      <image:title>Work</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1537494844221-WGJ9024PMX5G7LJEQFJE/image2018_001.jpg</image:loc>
      <image:title>Work</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1537495152505-Y9J9ACWA00USMMTP3YIR/image2018_005.jpg</image:loc>
      <image:title>Work</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1537495170433-22IX2L8U6HLGJ7CPSAP4/image2018_006.jpg</image:loc>
      <image:title>Work</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1537508184677-DU2QG1DRRI6LOKVFIE5Y/image2018_033.jpg</image:loc>
      <image:title>Work</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1537495314234-A6GCVNTQEN0QHR9EALBC/image2018_007.jpg</image:loc>
      <image:title>Work</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1537505651792-AOZHVBAD5LN8UWSCNO2E/image2018_014.jpg</image:loc>
      <image:title>Work</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1693380913720-B2JBHZN6VTX5LM32FR1S/2019-018.jpg</image:loc>
      <image:title>Work</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1537504887881-15TB9QP1J0Q32C8HQDRO/image2018_009.jpg</image:loc>
      <image:title>Work</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1693381148071-VDEFTKG8EN5T5P7M0QWD/2019-272.jpg</image:loc>
      <image:title>Work</image:title>
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      <image:caption>This catalogue was publicshed on the occasion of the exhibition Otak Jepun | Yutaka Inagawa, organized by Shooshie Sulaiman, Artistic Director, 12 &amp;12.1, with the assistance of MAIX (Malaysia Artists’ Intention Experiment). The exhibition was presented at Lorong Kekabu, Kuala Lumpur, from 7 September to 30 September, 2015 Published by: 12.1 &amp; Yutaka Inagawa No.2 Lorong Kekabu Language: English/ Japanese 72 page Design Concept: Shooshie Sulaiman Book Design: Shoji Katsume (STUDIO NIJI) Editor: Fatina Alfis Zolkifli Contributors: Anas Afandi (MAIX), Anwar Suhaimi (MAIX) Photos by: Shooshie Sulaiman, Hana Jahira, Alef Syazwan Translation: Yutaka Inagawa Proofreaders: Nabillah Zolifah Zolkifli, Amira Amran, Tamaki Ono, Hitomi Kanemoto ©2016 Yutaka Inagawa; 12&amp;12.1, Kuala Lumpur. ©text: Shooshie Sulaiman, Anas Afandi and Anwar Suhaimi</image:caption>
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      <image:caption>This catalogue was publicshed on the occasion of the exhibition Otak Jepun | Yutaka Inagawa, organized by Shooshie Sulaiman, Artistic Director, 12 &amp;12.1, with the assistance of MAIX (Malaysia Artists’ Intention Experiment). The exhibition was presented at Lorong Kekabu, Kuala Lumpur, from 7 September to 30 September, 2015 Published by: 12.1 &amp; Yutaka Inagawa No.2 Lorong Kekabu Language: English/ Japanese 72 page Design Concept: Shooshie Sulaiman Book Design: Shoji Katsume (STUDIO NIJI) Editor: Fatina Alfis Zolkifli Contributors: Anas Afandi (MAIX), Anwar Suhaimi (MAIX) Photos by: Shooshie Sulaiman, Hana Jahira, Alef Syazwan Translation: Yutaka Inagawa Proofreaders: Nabillah Zolifah Zolkifli, Amira Amran, Tamaki Ono, Hitomi Kanemoto ©2016 Yutaka Inagawa; 12&amp;12.1, Kuala Lumpur. ©text: Shooshie Sulaiman, Anas Afandi and Anwar Suhaimi</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1537515543089-IXV8MT5UT7KTU7YVPF86/ss44s.jpg</image:loc>
      <image:title>Project Paraphrase (2017-)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1537515559476-LU6K8UTDUZJMI057N0S2/ss45s.jpg</image:loc>
      <image:title>Project Paraphrase (2017-)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1537515567051-684832X5MQ0ZRUU329LA/ss46s.jpg</image:loc>
      <image:title>Project Paraphrase (2017-)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1537515573318-Y45D2KPKG4I06C2AXVM3/ss47s.jpg</image:loc>
      <image:title>Project Paraphrase (2017-)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1537515587580-38SY0U5Y2B7EOA9I06NR/ss48s.jpg</image:loc>
      <image:title>Project Paraphrase (2017-)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1537515595574-VC4TKEFE3YB8YL37E9UK/ss49s.jpg</image:loc>
      <image:title>Project Paraphrase (2017-)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1537515603561-4FYPAFK7PXM5BGEOTNMI/ss50s.jpg</image:loc>
      <image:title>Project Paraphrase (2017-)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1537515611994-NWVNOKQ02877BHNTPV99/ss51s.jpg</image:loc>
      <image:title>Project Paraphrase (2017-)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1537515617336-QHPHYXPU28RBOTYZ0W1E/ss52s.jpg</image:loc>
      <image:title>Project Paraphrase (2017-)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1537515622077-6BHMVLEI426CO2JREC0E/ss53s.jpg</image:loc>
      <image:title>Project Paraphrase (2017-)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1537515629852-959GP7UPO9418L7PHC5F/ss54s.jpg</image:loc>
      <image:title>Project Paraphrase (2017-)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1537515636849-42CGU5DJSP7AOMXW3AUZ/ss55s.jpg</image:loc>
      <image:title>Project Paraphrase (2017-)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1537515655525-3FWKUQHG5DL83SKX6LMK/ss56s.jpg</image:loc>
      <image:title>Project Paraphrase (2017-)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1537515663680-D7I3TZPAV5A6P2SF4M4N/ss57s.jpg</image:loc>
      <image:title>Project Paraphrase (2017-)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1537515669853-7AI2C7UINYN37SYC296X/ss58s.jpg</image:loc>
      <image:title>Project Paraphrase (2017-)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1537515676919-5COWX8A8WYNYAXF7O6EO/ss59s.jpg</image:loc>
      <image:title>Project Paraphrase (2017-)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1537515686802-6J5CTVNDT253Z289P8JL/ss60s.jpg</image:loc>
      <image:title>Project Paraphrase (2017-)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1537515692744-L0QXJ6K2LW2IHYVSG66I/ss61s.jpg</image:loc>
      <image:title>Project Paraphrase (2017-)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1537515699521-OWOJA5XFJ6JJPSK71FOI/ss62s.jpg</image:loc>
      <image:title>Project Paraphrase (2017-)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1537515709854-OO7S5OG0IDW2SWVX2KUV/ss63s.jpg</image:loc>
      <image:title>Project Paraphrase (2017-)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1537515721373-KIZGSASBAXFKSUVHEQEL/ss64s.jpg</image:loc>
      <image:title>Project Paraphrase (2017-)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1537515730938-BERPGNVI0FA9MI4KW881/ss65s.jpg</image:loc>
      <image:title>Project Paraphrase (2017-)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1537515742565-T0O6M9HLI2P7A02N5I2H/ss66s.jpg</image:loc>
      <image:title>Project Paraphrase (2017-)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1537515748241-6MVRIPF6KBQH62CDI8OS/ss67s.jpg</image:loc>
      <image:title>Project Paraphrase (2017-)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1537515766271-3MDGTXD5TDW1GMPMW25M/ss68s.jpg</image:loc>
      <image:title>Project Paraphrase (2017-)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1537515792645-V7TK0OWB88ECHRTROX3P/ss69s.jpg</image:loc>
      <image:title>Project Paraphrase (2017-)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1537515816809-SS5IHNVGGCCG1OTTDELI/ss70s.jpg</image:loc>
      <image:title>Project Paraphrase (2017-)</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.yutakainagawa.net/soundscapefuss</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-10-24</lastmod>
  </url>
  <url>
    <loc>https://www.yutakainagawa.net/recent-work</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-09-29</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1541638956332-7ABMKFTPX5HNKCMV95ET/01yutaka_peeled_off_broken_mobile.jpg</image:loc>
      <image:title>Recent work (2018) - peeled off/ broken-mobile (2018)</image:title>
      <image:caption>143.5 x 150cm, Oil and coloured silverleaf on canvas, digital print and reflective sheet on plywood, carbon and gold fabric on trimmed timber</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1541638925582-IRWDKKGQTVTFY6DWN5VB/yutak_tainan2018-%EF%BC%92.jpg</image:loc>
      <image:title>Recent work (2018) - Fluffy / Fluorescent Uncanny (V), 2018</image:title>
      <image:caption>size variable, Laser print on paper, felt, linen, pre-primed canvas, stretched canvas, dismantled crate, used carboard box, lumber-core plywood, coloured silver leaf and household paint on manipulated found-timber, pencil and collage on paper, spray paint on lumber core plywood, Curing tape, masking tape, fragmented used disposable-palette</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1541638956332-7ABMKFTPX5HNKCMV95ET/01yutaka_peeled_off_broken_mobile.jpg</image:loc>
      <image:title>Recent work (2018) - peeled off/ broken-mobile (2018)</image:title>
      <image:caption>143.5 x 150cm, Oil and coloured silverleaf on canvas, digital print and reflective sheet on plywood, carbon and gold fabric on trimmed timber</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1541639160158-C2THZ0RTEELGHZYADKYS/02yutaka_peeled_off_broken_mobile-detail.jpg</image:loc>
      <image:title>Recent work (2018) - detail of peeled off/ broken-mobile</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1541638974544-IMTNY3L9O9ZZMCDW9T6K/03yutaka_tracing_whispers.jpg</image:loc>
      <image:title>Recent work (2018) - tracing-whispers (2018)</image:title>
      <image:caption>103.5cm x 129cm, Oil and coloured silverleaf on canvas, digital print, felt, drawing (pencil and collage on paper), duct tape and silverleaf on cardboard on plywood (dismantled crate), carbon and gold fabric on trimmed timber</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1541639183035-F36SJIBKTVNWAB0D8EXE/04yutaka_tracing_whispers_detail.jpg</image:loc>
      <image:title>Recent work (2018) - detail of tracing-whispers</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1541638990422-QZ8KG37B66UDGIFN82MG/05yutaka_browse_to_research.jpg</image:loc>
      <image:title>Recent work (2018) - browse to research (rigidity) (2018)</image:title>
      <image:caption>107 x 86 cm, Oil, digital print and coloured silverleaf on canvas, silkscreen print, metal hook and fabric on lumber core plywood</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1541639204635-HNOO3C5ID6JMXDFZ0IJA/06yutaka_browse_to_research_detail.jpg</image:loc>
      <image:title>Recent work (2018)</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.yutakainagawa.net/transparent-fluorescent-uncanny-v</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-12-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1551317396370-Z1EHR49R423Q7QQB26M5/yutaka_newwok.jpg</image:loc>
      <image:title>Transparent / Fluorescent Uncanny (V), (2018)</image:title>
      <image:caption>installation view, Motionless Boundary | "Visions of Stillness" Art from Japan, Singapore and Taiwan (group show), 2018 at DaXin Art Museum, Tainan, Taiwan. Curated by Sze Yang BOO &amp; I Ling HSIAO photo: Kiyohito Mikami</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1551317396370-Z1EHR49R423Q7QQB26M5/yutaka_newwok.jpg</image:loc>
      <image:title>Transparent / Fluorescent Uncanny (V), (2018)</image:title>
      <image:caption>installation view, Motionless Boundary | "Visions of Stillness" Art from Japan, Singapore and Taiwan (group show), 2018 at DaXin Art Museum, Tainan, Taiwan. Curated by Sze Yang BOO &amp; I Ling HSIAO photo: Kiyohito Mikami</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1541984309096-ICHCXDA0QXGKYK0PVYSH/_DSC4919-2.jpg</image:loc>
      <image:title>Transparent / Fluorescent Uncanny (V), (2018)</image:title>
      <image:caption>installation view, Motionless Boundary | "Visions of Stillness" Art from Japan, Singapore and Taiwan (group show), 2018 at DaXin Art Museum, Tainan, Taiwan. Curated by Sze Yang BOO &amp; I Ling HSIAO photo: Kiyohito Mikami</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1541984358137-RZCMITD4GEN5DTLGRTY7/_DSC4939-2.jpg</image:loc>
      <image:title>Transparent / Fluorescent Uncanny (V), (2018)</image:title>
      <image:caption>This work repurposes a simple crate previously used for shipping the artwork, together with the reinforced cardboard lining inside it, unfolding these materials and reassigning them as the pictorial / bodily support of the work. During its presentation at DaXin Art Museum in Taiwan, smaller components were likewise transported stored within the crate and later unfolded and installed across the wall. Here, the outer shell that once functioned as a crate is treated as a body that holds and carries images and marks. Collages of printed matter and painterly gestures are applied to its surface in a manner that deliberately echoes the format of shipping labels—such as those affixed to parcels during transport. These collaged elements operate in parallel with the actual labels that were once attached to the crate, bearing information such as addresses, senders, and destinations. In this way, the surface becomes a site where the logistical identity of the artwork—its circulation, routing, and handling as an object—intersects with pictorial and material gestures. Through this process, the roles that lie between the artwork’s physical journey and its “attire,” and between surface and body, are dissolved. What once served as an external armour protecting the work during transport gradually becomes the body of the work itself, while elements that had been contained within are unfolded and dispersed across the wall like an exploded diagram. The masking tape marks left on the wall record the traces of each component as it moved in search of its appropriate position. These marks preserve the trajectory of that movement, allowing the process of installation to remain visible as an afterimage.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1541984326092-86K31ADSKEDOQVW5P2C9/_DSC4932-2.jpg</image:loc>
      <image:title>Transparent / Fluorescent Uncanny (V), (2018)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1541984342987-YMAOP8BCKKE0WVT4ZK2X/_DSC4935.jpg</image:loc>
      <image:title>Transparent / Fluorescent Uncanny (V), (2018)</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.yutakainagawa.net/only-connect-osaka-press-releaseen</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-01-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1547803657468-SHJS38BE0UGEVSW37JYA/OCosaka_PressRelease_en_fix_%E3%83%9A%E3%83%BC%E3%82%B8_1.jpg</image:loc>
      <image:title>ONLY CONNECT OSAKA press release_en</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1547803657468-SHJS38BE0UGEVSW37JYA/OCosaka_PressRelease_en_fix_%E3%83%9A%E3%83%BC%E3%82%B8_1.jpg</image:loc>
      <image:title>ONLY CONNECT OSAKA press release_en</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1547803665495-6LKWYE6P4US467K3OFQF/OCosaka_PressRelease_en_fix_%E3%83%9A%E3%83%BC%E3%82%B8_2.jpg</image:loc>
      <image:title>ONLY CONNECT OSAKA press release_en</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1547803668012-XAKNETL2ER86Q2KAR9AW/OCosaka_PressRelease_en_fix_%E3%83%9A%E3%83%BC%E3%82%B8_3.jpg</image:loc>
      <image:title>ONLY CONNECT OSAKA press release_en</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.yutakainagawa.net/only-connect-osaka-press-release-jp</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-01-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1547803841576-H5NFHUBGL0JZ638TXPVV/OCosaka_PressRelease_jp_fix_%E3%83%9A%E3%83%BC%E3%82%B8_1.jpg</image:loc>
      <image:title>ONLY CONNECT OSAKA press release (JP)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1547803841576-H5NFHUBGL0JZ638TXPVV/OCosaka_PressRelease_jp_fix_%E3%83%9A%E3%83%BC%E3%82%B8_1.jpg</image:loc>
      <image:title>ONLY CONNECT OSAKA press release (JP)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1547803841380-HVREUDBHZGMNHRQDZANV/OCosaka_PressRelease_jp_fix_%E3%83%9A%E3%83%BC%E3%82%B8_2.jpg</image:loc>
      <image:title>ONLY CONNECT OSAKA press release (JP)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1547803849667-JE2OFOKIF05J7A091RM9/OCosaka_PressRelease_jp_fix_%E3%83%9A%E3%83%BC%E3%82%B8_3.jpg</image:loc>
      <image:title>ONLY CONNECT OSAKA press release (JP)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1547803846102-IS60TV21P87TOZPZQGZR/OCosaka_PressRelease_jp_fix_%E3%83%9A%E3%83%BC%E3%82%B8_4.jpg</image:loc>
      <image:title>ONLY CONNECT OSAKA press release (JP)</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.yutakainagawa.net/5-pencils-are-mt-fear-2019</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-04-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1551104133618-UTJR4PSR4IILADLZQF1X/_DSC7345.jpg</image:loc>
      <image:title>5 pencils are Mt.Fear (2019)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1551104133618-UTJR4PSR4IILADLZQF1X/_DSC7345.jpg</image:loc>
      <image:title>5 pencils are Mt.Fear (2019)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1551213730036-0CFUSO0QK42QJDJ0W0XJ/image-asset.jpeg</image:loc>
      <image:title>5 pencils are Mt.Fear (2019)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1551213901740-YKGQ362TYELX5XMUKNBA/image-asset.jpeg</image:loc>
      <image:title>5 pencils are Mt.Fear (2019)</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>https://www.yutakainagawa.net/candidshot-psyche-1112-2019</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-04-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1551136655225-GHJLKC5VP28ALIVAIK6C/candid-shot2019.jpg</image:loc>
      <image:title>Candid-shot psyche [1]-[112], (2019) - installation shot from ONLY CONNECT OSAKA (2019)</image:title>
      <image:caption>112 works are placed within a mapping grid drawn on 4/F floor at Creative Center Osaka</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1551136655225-GHJLKC5VP28ALIVAIK6C/candid-shot2019.jpg</image:loc>
      <image:title>Candid-shot psyche [1]-[112], (2019) - installation shot from ONLY CONNECT OSAKA (2019)</image:title>
      <image:caption>112 works are placed within a mapping grid drawn on 4/F floor at Creative Center Osaka</image:caption>
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      <image:title>Candid-shot psyche [1]-[112], (2019) - Installation shot from ONLY CONNECT OSAKA (2019), photo by Kiyohito Mikami</image:title>
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      <image:title>Candid-shot psyche [1]-[112], (2019) - Installation shot from ONLY CONNECT OSAKA (2019), photo by Kiyohito Mikami</image:title>
      <image:caption>installation shots from ONLY CONNECT OSAKA (2019) showing Candid -shot psyche[1]-[112] and artwork by Hayato Sugii ( small pieces of wooden structure)</image:caption>
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      <image:title>Candid-shot psyche [1]-[112], (2019)</image:title>
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      <image:title>Candid-shot psyche [1]-[112], (2019)</image:title>
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      <image:title>Candid-shot psyche [1]-[112], (2019)</image:title>
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      <image:title>Candid-shot psyche [1]-[112], (2019)</image:title>
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      <image:title>Candid-shot psyche [1]-[112], (2019)</image:title>
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      <image:title>Candid-shot psyche [1]-[112], (2019)</image:title>
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      <image:title>Candid-shot psyche [1]-[112], (2019)</image:title>
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      <image:title>Candid-shot psyche [1]-[112], (2019)</image:title>
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      <image:title>Project Paraphrase [between a smile and a grimace] (2019) - Project Paraphrase [between a smile and a grimace] (2019)</image:title>
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      <image:title>Project Paraphrase [between a smile and a grimace] (2019) - Project Paraphrase [between a smile and a grimace] (2019)</image:title>
      <image:caption>configuration of laser-cut found wood, size variable</image:caption>
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      <image:title>Project Paraphrase [between a smile and a grimace] (2019) - installation shot from ONLY CONNECT OSAKA showing together with artwork of Mouhitori</image:title>
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    <loc>https://www.yutakainagawa.net/sculptural-pedestal-2019</loc>
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    <lastmod>2019-12-21</lastmod>
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      <image:title>Sculptural Pedestal (2019)</image:title>
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    <loc>https://www.yutakainagawa.net/cuddle-resistance_0106-2018</loc>
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    <lastmod>2020-01-17</lastmod>
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      <image:title>Cuddle &amp; Resistance_01-06 (2018) - Cuddle and Resistance_01-06, 2018, wall-based installation</image:title>
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      <image:title>Cuddle &amp; Resistance_01-06 (2018) - Cuddle and Resistance_01-06, 2018, wall-based installation</image:title>
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      <image:title>Cuddle &amp; Resistance_01-06 (2018)</image:title>
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    <loc>https://www.yutakainagawa.net/test-page-2020_2</loc>
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    <priority>0.75</priority>
    <lastmod>2020-07-27</lastmod>
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      <image:caption>information on : 12  November 2022 thorugh 25 December 2022 at : MOU Onomichi City University Museum, Onomichi, Japan Opening times: Friday-Tuesday, 10am~18:00 Closed on Wednesday, Thursday Admission: free Organized by :Onomichi City University Education &amp; Reserch Project Cosponsored by: Onomichi City Board of Education, Chupicom Onomichi, Onomichi FM Broadcasting Co., Ltd.,  The Onomichi Shimbun, The Chugoku Shimbun With additional assist from: Ueda Gabou Media partner: Glass Magazine Curated by: Yutaka Inagawa (self-curation) • Artist talk | 12 November 2022  17:00~18:30    Moderator: Naoko Sumi (Curator, Hirosima City Museum of Comtenporary Art) Press Release (en) The MOU Onomichi City University Museum is thrilled to present eASY mECHANISM | 符と思う, a solo exhibition by Japanese artist Yutaka Inagawa. In this exhibition, Inagawa uses a wide range of mediums—including newly created video work, digital prints of varying styles, sculptural configurations, reworked paintings, and installations—to create fictitious realms of multipolar or porous conditions in which evoke a sense of connectivity and complexity in the expansive landscape that defies easy categorization. The 18-minute-long, single-channel video Meet the Sealion is filmed in Onomichi, Japan at the former residential house of the 20th century artist and mentor Wasaku Kobayashi, with preserved furniture and housewares serving as emotive, personal mementos of Wasaku and his family. The video is comprised of 23 segments that correspond to the paragraphs of a poetic script derived from a sequence of heated tweets Inagawa was following in early 2022. Along with the ethereal video work, Inagawa brings a sense of life's flux and response to the physical characteristics of an exhibition venue which was also formerly a house converted into an art space in the same neighbourhood. Multiple everyday influences, including his immediate environment and societal concerns, serve as a springboard for approaching a realm that is overwhelmingly elusive. In a similar manner, paintings that have been transformed take on new features and structures and are displayed as one of modular units that swing between "completed artwork" and "still malleable materials". A series of satin prints, in contrast, bring the concept of digital skin to life. The digitally accelerated hues and textures that constitute the digital's malleable materiality are woven into the high-sheen substance of these large satin fabrics. In addition, a feeling of entropy permeates the whole installation due to a series of unitary constructions called Sculptural Pedestal, which reconstitute the fluid interplay between the spatial / architectural elements of the exhibition space and the artwork. It should be noted that the show's title, eASY mECHANISM | 符と思う, is a significant structure in and of itself. It is designed to have several dimensions. The title is composed of Japanese and English words juxtaposed, with the structure modelled by the exhibition's complexity and aimed to reflect the same underlying strategic architecture. The Japanese part is nonsensical and has no equivalent in any other language, yet it does have some connection to spirituality or what might be considered pseudo-spirituality. The English part places an emphasis on the idea of a language's capacity to serve as a container. This exhibition's strategic approach reflects Inagawa's recent practice as an artist-curator, which involves the development of transcultural exhibitions and projects utilising unorthodox conventions and frameworks. Inagawa is in charge of the overall direction of the show, including the exhibition's layout as well as the design and content of promotional materials, giving the exhibition the air of an artist-curated exhibition. By dissolving the binary nature of the perceptual system, eASY mECHANISM | 符と思う creates a rich, multifaceted sensory experience.</image:caption>
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  <url>
    <loc>https://www.yutakainagawa.net/nurturing-nodes-in-the-nook-of-an-odd-sock03</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-07-25</lastmod>
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      <image:title>Nurturing Nodes in the Nook of an Odd Sock 03</image:title>
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      <image:title>Nurturing Nodes in the Nook of an Odd Sock 03</image:title>
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      <image:title>Nurturing Nodes in the Nook of an Odd Sock 03</image:title>
      <image:caption>Curated by: Yutaka Inagawa (artist-curator) Venue: Art Gallery Miyauchi (2 and 3 floor) Organized by: The Miyauchi Art Foundation Participating Artists: Yu Araki (JP) / Bouie Choi (HK) / Anthony Chin (SG) / Kara Chin (SG/GB) / Gary Clough (GB) / Taro Izumi (JP) / Rikako Kawauchi (JP) / Kong Chun Hei (HK) / South Ho (HK) / Tang Kwok Hin (HK) / Kyung Hwa Shon (KR/GB) / Daniel Silva (CO/ES) / Alma Tischlerwood (DE/GB) / Ryo Uchida (JP) / Ayaka Ura (JP) / Wang Ruobing (SG) / Sai (SG) / Guanyu Xu (CN/US) / The Portland Inn Project (GB) For more information: (en):  https://miyauchiaf.or.jp/exhibition/nnnos-en/ (JP) : https://miyauchiaf.or.jp/exhibition/nnnos-jp/ Interview with Glass Magazine Talk Sessions: BE/BIND/BREATHE/BUILD/BLOOM/BESTOW/BOND 20 April 2024 (Saturday) / 8 June (Saturday) / 15 June (Saturday) / 16 June (Sunday) The sessions highlight artists from four diverse countries, engaging in discussions on coexistence, codependency, resonance, co-creation, and co-prosperity to explore network building opportunities. Workshops 1. Portland Palissy Session 2. The Everyday Mindfulness Learn More About the Talks &amp;Workshops</image:caption>
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      <image:title>Nurturing Nodes in the Nook of an Odd Sock 03 - Photo by Kensuke Hashimoto | Courtesy of Art Gallery Miyauchi</image:title>
      <image:caption>A diverse collection of artworks on the first floor, each creatively juxtaposed within the enigmatic realms designed by Yutaka Inagawa.</image:caption>
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      <image:title>Nurturing Nodes in the Nook of an Odd Sock 03 - Photo by Kensuke Hashimoto | Courtesy of Art Gallery Miyauchi</image:title>
      <image:caption>Featuring a series of eight A1-sized posters displaying manipulated email correspondences reenacted by AI avatars of both Yutaka Inagawa and Taro Izumi. These works, alongside art by Alma Tischlerwood, South Ho, and Kara Chin, are structured within uniquely whimsical environments crafted by Inagawa. For more installation views of the first floor, click HERE.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1719466860394-FIXBRYRJ2UE2Z4ZZLB8V/odd_sock012.jpg</image:loc>
      <image:title>Nurturing Nodes in the Nook of an Odd Sock 03 - Photo by Kensuke Hashimoto | Courtesy of Art Gallery Miyauchi</image:title>
      <image:caption>A broad selection of artworks on the second floor, each strategically juxtaposed within the interwoven environments envisioned by Yutaka Inagawa.</image:caption>
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      <image:title>Nurturing Nodes in the Nook of an Odd Sock 03 - Photo by Kensuke Hashimoto | Courtesy of Art Gallery Miyauchi</image:title>
      <image:caption>Second-floor installation view juxtaposing works by Anthony Chin, Guanyu Xu, and Ryo Uchida within bespoke environments structured by Yutaka Inagawa. For more installation views of the second floor, click HERE.</image:caption>
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      <image:title>Nurturing Nodes in the Nook of an Odd Sock 03 - odd_sock_video_01</image:title>
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  <url>
    <loc>https://www.yutakainagawa.net/installation-views-nurturing-nodes-in-the-nook-of-an-odd-sock</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-05-04</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1713915071819-6KJUQ0EHPURFODRBC1ZT/odd_sock-37.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock</image:title>
      <image:caption>at Art Gallery Miyauchi, Hatsukaichishi, Hiroshima Participating artists Yu Araki / Bouie Choi / Anthony Chin / Kara Chin / Gary Clough /Taro Izumi / Rikako Kawauchi / Kong Chun Hei / South Ho / Tang Kwok Hin / Kyung Hwa Shon / Daniel Silva / Alma Tischlerwood / Ryo Uchida / Ayaka Ura / Wang Ruobing / Sai / Guanyu Xu / The Portland Inn Project Curated by Yutaka Inagawa (Artist-curator) *The installation views featured on this page were captured by two photographers. The artist-curator, Yutaka Inagawa, took some of the photographs, while the rest are the work of Kensuke Hashimoto. Photos taken by Kensuke Hashimoto are credited. All images are displayed courtesy of Art Gallery Miyauchi.</image:caption>
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      <image:caption>at Art Gallery Miyauchi, Hatsukaichishi, Hiroshima Participating artists Yu Araki / Bouie Choi / Anthony Chin / Kara Chin / Gary Clough /Taro Izumi / Rikako Kawauchi / Kong Chun Hei / South Ho / Tang Kwok Hin / Kyung Hwa Shon / Daniel Silva / Alma Tischlerwood / Ryo Uchida / Ayaka Ura / Wang Ruobing / Sai / Guanyu Xu / The Portland Inn Project Curated by Yutaka Inagawa (Artist-curator) *The installation views featured on this page were captured by two photographers. The artist-curator, Yutaka Inagawa, took some of the photographs, while the rest are the work of Kensuke Hashimoto. Photos taken by Kensuke Hashimoto are credited. All images are displayed courtesy of Art Gallery Miyauchi.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1713915022823-RG0TGUGQ4RJ79Z6A3ZZG/odd_sock-35.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock</image:title>
      <image:caption>In this exhibition, I have endeavored to construct a multi-axial and porous structure, replete with multiple focal points that interweave artist intentions, artworks, and creative interventions by the artist-curator.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1714374774276-7RLW3HJ730WJ68SLDH42/7RV01025.JPG</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock - Photo by Kensuke Hashimoto    Courtesy of Art Gallery Miyauchi</image:title>
      <image:caption>The original artist-approved environments have been imaginatively transformed, creating a cacophony of polyphonic configurations intertwined with the artworks. These tailor-made spaces, ephemeral in nature, showcase each artwork within a unique, architectural-esque entity, celebrating a confluence of multiple narratives and experimental approaches.</image:caption>
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      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock</image:title>
      <image:caption>By weaving together artworks with interventions by artist-curator Yutaka Inagawa—including a bold pairing/grouping of different artworks, sculptural pedestals, mural works, colorful trimmed timbers, Chat GPT-created avatars, and Junkichi Kageyama's 'Samba of Insects' from the Collection of Art Gallery Miyauchi—along with various structural and spatial adjustments— the exhibition becomes a dynamic mash-up of artwork by the exhibiting artists, in-between entities created by Inagawa, and the architectural nuances of the space. This creative amalgamation transforms the exhibition space into a mini-lab type of creative biome, fostering fluid interrelations and exploring multiple potential states for the exhibition format and hosting environment.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1714374798952-WO39BT1CPLY7E1A6EZUG/7RV01143-20240427.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock - Photo by Kensuke Hashimoto    Courtesy of Art Gallery Miyauchi</image:title>
      <image:caption>A diverse collection of artworks on the first floor, each creatively juxtaposed within the enigmatic realms designed by Yutaka Inagawa.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1713915140783-V9LSHK7VSCQRCGID4NU7/odd_sock-45.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock - Artworks by South Ho ('Mythical Shelter', 2023) sets within bespoke environments and structures engineered by artist-curator Yutaka Inagawa.</image:title>
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      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock</image:title>
      <image:caption>Installation view of the first floor featuring works by various artists, set within bespoke environments and structures engineered by artist-curator Yutaka Inagawa</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1714605560961-Z9HQLWJGHYMEWAOFG97P/7RV01026-20240425.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock - Photo by Kensuke Hashimoto Courtesy of Art Gallery Miyauchi</image:title>
      <image:caption>Featuring Rikako Kawauchi ('in the morning', 2023) and four campaign posters from The Portland Inn Project's "100 YEAR PLAN," set within unique environmental 'manipulations' and structures by artist-curator Yutaka Inagawa.</image:caption>
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      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock - Photo by Kensuke Hashimoto    Courtesy of Art Gallery Miyauchi</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1714381226521-86EHFUWLYGHF6QAMF8NO/7RV01037-20240425.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock - Photo by Kensuke Hashimoto    Courtesy of Art Gallery Miyauchi</image:title>
      <image:caption>Featuring Alma Tischlerwood ('FRAGILE STATES', 2024) set within unique environmental 'manipulations' and structures by artist-curator Yutaka Inagawa.</image:caption>
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      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock</image:title>
      <image:caption>Artworks by Kyung Hwa Shon ('39N 125E 22','39N 125E 00-01’, '39N 125E 00-02’, 2024) and Gary Clough ( 'Blue Repair Vessel’ , 2024) set within bespoke environments and structures engineered by artist-curator Yutaka Inagawa.</image:caption>
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      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock - Photo by Kensuke Hashimoto    Courtesy of Art Gallery Miyauchi</image:title>
      <image:caption>Featuring Rikako Kawauchi's 'Magic Antler' (2022) and Kyung Hwa Shon ('39N 125E 00-02', 2024) set within unique environmental 'manipulations' and structures—including Junkichi Kageyama's 'Samba of Insects' from the Collection of Art Gallery Miyauchi—crafted by artist-curator Yutaka Inagawa.</image:caption>
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      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock</image:title>
      <image:caption>Artworks by Kyung Hwa Shon ('39N 125E 00-02’, 2024), Alma Tischlerwood ('Carrying On', 2020) and Rikako Kawauchi ('magic antler’, 2022) set within bespoke environments and structures engineered by artist-curator Yutaka Inagawa.</image:caption>
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      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock</image:title>
      <image:caption>Alma Tischlerwood’s 'FRAGILE STATES' uniquely juxtaposed within the tailor-made environments crafted by Yutaka Inagawa.</image:caption>
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      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock - Photo by Kensuke Hashimoto    Courtesy of Art Gallery Miyauchi</image:title>
      <image:caption>Sai’s '当我们同在一起 (Together) No. 3' (2023),uniquely juxtaposed within the tailor-made environments crafted by Yutaka Inagawa."</image:caption>
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      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock - Photo by Kensuke Hashimoto    Courtesy of Art Gallery Miyauchi</image:title>
      <image:caption>Sai and The Portland Inn Project artworks playfully juxtaposed within bespoke environments crafted by Yutaka Inagawa on the first floor, creating an enigmatic interplay.</image:caption>
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      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock - Photo by Kensuke Hashimoto    Courtesy of Art Gallery Miyauchi</image:title>
      <image:caption>Featuring Kyung Hwa Shon ('39N 125E 22', 2024) set within unique environmental 'manipulations' and structures by artist-curator Yutaka Inagawa.</image:caption>
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      <image:caption>Artworks by Ryo Uchida ('the case of diamonds’, 2023 / 'about the weather #1’, 2022), Ayaka Ura (‘Discussion where flies gather(17 April, 2024) / Diary about relationship with (a lacked) (9 April, 2024)’ , 2024) set within bespoke environments and structures engineered by artist-curator Yutaka Inagawa.</image:caption>
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      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock - Photo by Kensuke Hashimoto    Courtesy of Art Gallery Miyauchi</image:title>
      <image:caption>Artworks by Kara Chin ('Fitbit Worship', 2020) and Ayaka Ura (Discussion where flies gather (17 April, 2024) / Diary about relationship with (a lacked) (9 April, 2024)), ’), set within bespoke environments and structures engineered by artist-curator Yutaka Inagawa.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1714041421092-ZA89UJ65EINVD0EYTPQZ/7RV00782.JPG</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock - Photo by Kensuke Hashimoto  Courtesy of Art Gallery Miyauchi</image:title>
      <image:caption>Featuring Kara Chin ('Fitbit Worship', 2020) sets within unique environmental 'manipulations' and structures by artist-curator Yutaka Inagawa.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1713914996792-OYYM7SK8Q672CRYK4Y5X/odd_sock-32.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1713916081437-JPF37G9D5FPPJZ79PRIK/odd_sock-131.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1713915176678-CNEEMC4BK25WXOD3DTV7/odd_sock-49.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock</image:title>
      <image:caption>Artworks by Kara Chin ('Bad Insulation', 2024) sets within bespoke environments and structures engineered by artist-curator Yutaka Inagawa.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1713915091826-9J1KLJGJMLZHL76UB59T/odd_sock-40.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1714381236365-4H0V47BJEZJ7W0MYL6R1/7RV01044-20240425.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock - Photo by Kensuke Hashimoto    Courtesy of Art Gallery Miyauchi</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1713915115115-VPYFHRZC4T3TNPZVRWTB/odd_sock-42.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock</image:title>
      <image:caption>Artworks by Yu Araki ('FUEL’, 2019) and The Portland Inn Project (‘The Portland Pigeon’) set within bespoke environments and structures engineered by artist-curator Yutaka Inagawa.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1714381289602-ZAXT9EPANTU4TTHJV3EG/7RV01107-20240425.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock - Photo by Kensuke Hashimoto    Courtesy of Art Gallery Miyauchi</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1713914850233-7TZ2GJXOPG6DYYZV406E/odd_sock-13.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock - Artworks by Kara Chin ('Inaugurare’, 2023) sets within bespoke environments and structures engineered by artist-curator Yutaka Inagawa.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1713916224933-GR65VZET7EJY5FR9RKSP/odd_sock-138.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1714040496871-SL97UGBRI86VJDX6242R/7RV01157.JPG</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock - Photo by Kensuke Hashimoto   Courtesy of Art Gallery Miyauchi</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1714523221029-FW6NSOTF8NEM31U17PVN/7RV01156-20240425.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock - Photo by Kensuke Hashimoto   Courtesy of Art Gallery Miyauchi</image:title>
      <image:caption>A series of eight A1-sized posters displaying manipulated email correspondences reenacted by AI avatars of both Yutaka Inagawa and Taro Izumi. These posters are structured within unique environments crafted by Yutaka Inagawa.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1713915048500-6D2TRUZYY05H3CWR0AGI/odd_sock-36.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1714605534041-AW0TAVL80I115QZS4HD6/7RV01155-20240425.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock - Photo by Kensuke Hashimoto    Courtesy of Art Gallery Miyauchi</image:title>
      <image:caption>Four campaign posters from The Portland Inn Project's "100 YEAR PLAN," photographed by Felicity Crawshaw and designed by Muir Dan, are juxtaposed with email correspondences by AI-generated avatars of Taro Izumi and the artist-curator. This configuration creates a dynamic interplay and creative tension within the artistically engineered exhibition space, which also features artist catalogues and merchandise.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1714374630184-D71MDSWBS7ZOVILZFIE7/7RV00555-20240427.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock - Photo by Kensuke Hashimoto    Courtesy of Art Gallery Miyauchi</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1713915198647-6YLUCI85MTF26P8DRK6Z/odd_sock-55.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock</image:title>
      <image:caption>Installation view of the thrid floor featuring works by various artists, set within bespoke environments and structures engineered by artist-curator Yutaka Inagawa</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1713946620656-2R0RUDPYJE3DXF74AXIQ/odd_sock-59_video_adjust.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock</image:title>
      <image:caption>Artworks by Kara Chin ('Awakening Ceremony’, 2021), Ryo Uchida ('round:NXYZ’, 2024 / 'carnite landowner’, 2021) and Wang Ruobing ('Three Planks’, 2021) set within bespoke environments and structures engineered by artist-curator Yutaka Inagawa</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1713945891123-Q3ZFEF8M7RU6R876BOT6/odd_sock-58_video.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock</image:title>
      <image:caption>Artworks by Kara Chin ('Awakening Ceremony’, 2021), Ryo Uchida ('round:NXYZ’, 2024) and Guanyu Xu ('RK-08282018-01142022’, Series: Resident Aliens, 2022) set within bespoke environments and structures engineered by artist-curator Yutaka Inagawa.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1714522827929-VK4X4ICBAXTB3D4UBZEN/7RV00835-20240425.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock - Photo by Kensuke Hashimoto   Courtesy of Art Gallery Miyauchi</image:title>
      <image:caption>Artworks by Kara Chin ('Awakening Ceremony’, 2021) sets within bespoke environments and structures engineered by artist-curator Yutaka Inagawa.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1714380961567-5U6898RZDURITJ97KGL8/7RV00711-20240425.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock - Photo by Kensuke Hashimoto  Courtesy of Art Gallery Miyauchi</image:title>
      <image:caption>Featuring Wang Ruobing ('Three Planks,', 2021) sets within unique environmental 'manipulations' and structures by artist-curator Yutaka Inagawa.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1713915309175-BG9A94B2O6UBQKANPT8D/odd_sock-61.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock</image:title>
      <image:caption>Installation view of the thrid floor featuring works by various artists, set within bespoke environments and structures engineered by artist-curator Yutaka Inagawa</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1713915327973-CESGICUHG8ED3P5UMAJW/odd_sock-62.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1713915651686-X6JVJ4VJO8V5PV1GZ6FB/odd_sock-91.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock</image:title>
      <image:caption>Artworks by Guanyu Xu ('LP-08292016-04112021', Series: Resident Aliens, 2022) and Ryo Uchida ('court', 2024,) set within bespoke environments and structures engineered by artist-curator Yutaka Inagawa.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1713915669131-37TV2BKNEI71F44JIMRL/odd_sock-92.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1713915832067-6BD0H6JVOQAXFRGGRK0N/odd_sock-112.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1714380924454-ZW6RO5HXLGTVQKMGZJVK/7RV00614-20240425.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock - Photo by Kensuke Hashimoto    Courtesy of Art Gallery Miyauchi</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1713915375459-9XFEPC9HT3LZEM40TBLL/odd_sock-65.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock</image:title>
      <image:caption>Featuring Guanyu Xu ('RK-08282018-01142022', Series: Resident Aliens, 2022) and Kong Chun Hei ('Flooding', 2019) set within unique environmental 'manipulations' and structures by artist-curator Yutaka Inagawa</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1714381004313-UL0YRS393H050EDC6KOC/7RV00749-20240425.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock - Photo by Kensuke Hashimoto  Courtesy of Art Gallery Miyauchi</image:title>
      <image:caption>Featuring Daniel Silva ('WE', 2024) set within unique environmental 'manipulations' and structures by artist-curator Yutaka Inagawa.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1713915392558-PNOJ1GBLGGLBMXXUY2V7/odd_sock-67.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1713915473353-K7XA6AMJFVH7OMSP9YH6/odd_sock-73.jpg</image:loc>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1714374655945-HW5CCHMLGDYO1C9NY3H6/7RV00723.JPG</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock - Photo by Kensuke Hashimoto    Courtesy of Art Gallery Miyauchi</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1713915490380-UZVLY9TBK5D2ZWRBLSEP/odd_sock-75.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1713915514215-XB2LTNZUG96V22D04I77/odd_sock-77.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1713915535946-N4L24IKCSF2FBSE2TEBO/odd_sock-79.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1713915956425-GHFSTFCC1U25VP2KHB0R/odd_sock-119.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock</image:title>
      <image:caption>Artworks by Anthony Chin ('The incomplete Momotaro: Sacred Sailor (IV)’, 2024), Sai (‘Untitled Walk II’, 2021), Bouie Choi ('That moment, we are homed’, 2023) and Ryo Uchida ('crosspiece #4’, 2023) set within bespoke environments and structures engineered by artist-curator Yutaka Inagawa.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1714381067858-XC948YCJYVFSMGVAM3HJ/7RV00888-20240425.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock</image:title>
      <image:caption>Photo by Kensuke Hashimoto Courtesy of Art Gallery Miyauchi</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1714381027688-MFIHASVL8Q6L3JTBFNTY/7RV00759-20240425.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock - Photo by Kensuke Hashimoto   Courtesy of Art Gallery Miyauchi</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1714380904022-QNORHHLP5XGQTJNZN8N6/7RV00596-20240425.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock - Photo by Kensuke Hashimoto    Courtesy of Art Gallery Miyauchi</image:title>
      <image:caption>Artworks by Sai (‘Untitled Walk II’, 2021) and Bouie Choi ('That moment, we are homed’, 2023) set within bespoke environments and structures engineered by artist-curator Yutaka Inagawa.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1713915978006-23MPCCBIJEII6CE5JYA4/odd_sock-122.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1714374631356-E0T5HGRUBNAXWT60885Y/7RV00579-20240427.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock</image:title>
      <image:caption>Photo by Kensuke Hashimoto Courtesy of Art Gallery Miyauchi</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1713915998945-3IUK82LZ74LZYA6NEM6R/odd_sock-123.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock</image:title>
      <image:caption>Artworks by Bouie Choi ('The portal’, 2022 / 'My sedimentary rock’, 2022 / 'That night the bus stalled’, 2022) and Sai ('当我们同在一起 (Together) No. 3’, 2023 / 'Erlang Shen_01’, 2021 / 'Tok......Tok......’, 2021) set within bespoke environments and structures engineered by artist-curator Yutaka Inagawa.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1713915593800-VFTGD7GW0499GQ8WD9WY/odd_sock-85.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock</image:title>
      <image:caption>Artworks by Sai (‘Untitled Walk II’, 2021 / 'Tok......Tok......’, 2021), Bouie Choi ('That moment, we are homed’, 2023 / “My sedimentary rock”, ), Ryo Uchida ('on the lotus’, 2022) and Daniel Silva (‘Insects in Translation’, 2024) set within bespoke environments and structures engineered by artist-curator Yutaka Inagawa.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1714523858299-QIS7L2MJ7GKWCUNVDCAF/7RV01266-20240427.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1714381876139-EKJZ9CKPC18WG4DVWNSR/7RV01258-20240427.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock - Photo by Kensuke Hashimoto    Courtesy of Art Gallery Miyauchi</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1713915415431-Q0583X3AOPUUK9SSANVK/odd_sock-68.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1713915430782-68E982I1YGNND55OF6HB/odd_sock-70.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1713915450209-C9BJ4UCOSB1DDJEFP0GO/odd_sock-71.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1713915749204-D98VDOS9JVW2TBBA1KZ9/odd_sock-102.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1713915812288-MJE53TC65HGUC6FNNUDG/odd_sock-107.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock</image:title>
      <image:caption>Artworks by Tang Kwok Hin ('Twisting Caps', 2024) sets within bespoke environments and structures engineered by artist-curator Yutaka Inagawa.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1714381213884-6XEKPR6TUJM4OIRCRC00/7RV00991-20240425.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock - Photo by Kensuke Hashimoto    Courtesy of Art Gallery Miyauchi</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1713915772817-6WDLKDR9Q5PE385S0PWU/odd_sock-103.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1713915791881-P4VZLWDTWPU4HWENKGMK/odd_sock-106.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1713915703972-J23QD8D18E5X3JVA2EFJ/odd_sock-94.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock</image:title>
      <image:caption>Artworks by Tang Kwok Hin ('Twisting Caps', 2024) sets within bespoke environments and structures engineered by artist-curator Yutaka Inagawa</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1714380939719-P76CHVIQBJJXQUKE9PH7/7RV00638-20240425.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock - Photo by Kensuke Hashimoto    Courtesy of Art Gallery Miyauchi</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1713915722021-FIWW8YBIYITTLB1FPA71/odd_sock-95.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1713915220099-OGHXPVB47O5AQQ265F20/odd_sock-57.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1713915915549-3PWDIDAZ0BAK3KBNQTLM/odd_sock-116.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock</image:title>
      <image:caption>Artworks by Kong Chun Hei ('Flooding’, 2019) and Daniel Silva ('Wax Over Flesh’, 2024) set within bespoke environments and structures engineered by artist-curator Yutaka Inagawa.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1713915612482-YCYDW9CWZSXQN62VYFEW/odd_sock-89.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1713915632480-9IJ0JYX4H2DAPT51Z4DB/odd_sock-90.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1713915852260-ZUTHUVL7YAE9HTIEXYBP/odd_sock-113.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1713915873414-LU7UF573Q64QNX0OSM8P/odd_sock-114.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1714040526248-L4MX2PL9DWPCPZUSLF3W/7RV00696.JPG</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock - Photo by Kensuke Hashimoto    Courtesy of Art Gallery Miyauchi</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1714381200391-O6584JSAD18JDKWXMZG7/7RV00957-20240425.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock - Photo by Kensuke Hashimoto    Courtesy of Art Gallery Miyauchi</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1713915935061-FBSURU1R2ISFF2NH4ES4/odd_sock-117.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1714380985658-T06KJLPKQ6SEA723MKV7/7RV00730-20240425.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock - Photo by Kensuke Hashimoto    Courtesy of Art Gallery Miyauchi</image:title>
      <image:caption>Rearranged artworks by Kong Chun Hei ('Flooding', 2019) and Daniel Silva ('Wax Over Flesh', 2024), are showcased within bespoke environments and structures engineered by artist-curator Yutaka Inagawa</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1713915894621-JRH1JQ5PUQ0YIN1SE3P4/odd_sock-115.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1714605508348-Y99WIRV5AWG41QAHXE1V/7RV00542-20240425.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock - Photo by Kensuke Hashimoto 　　Courtesy of Art Gallery Miyauchi</image:title>
      <image:caption>Featuring environmental posters from The Portland Inn Project’s youth club alongside email correspondence by AI-generated avatars of Taro Izumi and Yutaka Inagawa—part of the artist-curator’s intervention—all installed within the uniquely engineered spaces curated by Yutaka Inagawa.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1713916016564-VZZN8T4C1VEJ3JD9JWW9/odd_sock-126.jpg</image:loc>
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      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock - Photo by Kensuke Hashimoto    Courtesy of Art Gallery Miyauchi</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1713916061385-YU7SXDLY6276JGXWCCFV/odd_sock-129.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock</image:title>
      <image:caption>Feturing Taro Izumi sets within unique environmental 'manipulations' and structures by artist-curator Yutaka Inagawa.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1713998799882-P1PJYRCRXULLWLKXWFWK/odd_sock_social-2.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock - SOCAL</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1713994431791-Z7V8W0TGBAEJ3YT1U0M5/odd_sock_event-2.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock - 'See Like a Bee' by Bill and Hayley</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1713957198555-BD1WYHQ089NUJ8L3E9LX/odd_sock_event-1.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock</image:title>
      <image:caption>Performance of 'See Like a Bee' by Bill and Hayley (Anna Francis and Rebecca Davies of The Portland Inn Project) during the preview night, 19th April</image:caption>
    </image:image>
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      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock - 'See Like a Bee' by Bill and Hayley</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1713995240349-178A4Z3OM5BYTFRNP3KS/odd_sock_event-5.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock - Talk Sessions: BE/BIND/BREATHE/BUILD/BLOOM/BESTOW/BOND</image:title>
      <image:caption>Date: 20th April, 10:30-18:00 Moderator: Yutaka Inagawa Speakers: Yu Araki, Anthony Chin, Kara Chin, Gary Clough, Rikako Kawauchi, Kyung Hwa Shon, Daniel Silva, Ryo Uchida, Ayaka Ura, Sai, The Portland Inn Project Venue: Saharada Assembly Hall Theme 1: Coexistence Explores the evolving relationships between artists, their artworks, and audience perceptions. Includes discussions on the exhibition’s unique structure that diverges from traditional thematic setups to foster diverse interpretations and deeper engagement. Theme 2: Codependency Examines the symbiotic dynamics between art communities, exhibitions, and regional influences. This discussion delves into how artworks interact with and impact their surroundings, highlighting case studies that illustrate the intricate connections within art ecosystems.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1713998796719-9QXWZD8RP3WJ8960KTZD/odd_sock_social-1.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock - SOCIAL</image:title>
      <image:caption>Following the talk session on 20th April, artists and attendees came together to foster and deepen friendships.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1714638982019-TRPFGIKNFWEXWDXMM033/7RV00842-20240425.jpg</image:loc>
      <image:title>Installation views - Nurturing Nodes in the Nook of an Odd Sock</image:title>
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  </url>
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    <priority>0.75</priority>
    <lastmod>2025-02-12</lastmod>
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      <image:title>Murmuring Shores / On the Brink (2024_gallery)</image:title>
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    <image:image>
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      <image:title>Murmuring Shores / On the Brink (2024_gallery)</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739165671441-0HGC16UU9D61PB4VBJMF/IMG_4952.jpg</image:loc>
      <image:title>Murmuring Shores / On the Brink (2024_gallery) - Susanna Tan's 待景(Tai-kei): A Garden Song (2024) and  (待山(Tai-san): The Waiting Mountain (2024)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739166331822-7QU768R49FCMVH0NAOK4/IMG_5088.jpg</image:loc>
      <image:title>Murmuring Shores / On the Brink (2024_gallery) - Susanna Tan  (待山(Tai-san): The Waiting Mountain (2024)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739165609198-W619729WCYUJKTQIKWKO/IMG_4933.jpg</image:loc>
      <image:title>Murmuring Shores / On the Brink (2024_gallery)</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739166151364-OAXVBCUX9LT0NB082ZMG/IMG_5041.jpg</image:loc>
      <image:title>Murmuring Shores / On the Brink (2024_gallery)</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739166230817-Z2ADBC4RAC1JNJN620ZX/IMG_5078.jpg</image:loc>
      <image:title>Murmuring Shores / On the Brink (2024_gallery)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739167570207-7ME8Y2ON6J7LQW92PHJ6/%E8%A3%9C%E6%AD%A3%E6%B8%88%E3%81%BF001-10.jpg</image:loc>
      <image:title>Murmuring Shores / On the Brink (2024_gallery)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739167221952-J006MZC2K2SVMV61EVQM/%E8%A3%9C%E6%AD%A3%E6%B8%88%E3%81%BF001-6.jpg</image:loc>
      <image:title>Murmuring Shores / On the Brink (2024_gallery) - Yumi Nishimura, Flat Characters  (2015) (right) and A Painting I Can No Longuer Complete on Wood (2024)(left)</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739165528221-DNP5JIR6OBYKVHO1AD4B/IMG_4911.jpg</image:loc>
      <image:title>Murmuring Shores / On the Brink (2024_gallery)</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739165640026-LN8ZQMT1WI28UDNZASI8/IMG_4940.jpg</image:loc>
      <image:title>Murmuring Shores / On the Brink (2024_gallery)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739166785403-MG2813LLL9FAF8XIFJSQ/IMG_5309.jpg</image:loc>
      <image:title>Murmuring Shores / On the Brink (2024_gallery) - Yumi Nishimura, Following from Yukiko”s work #1-13 (2024)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739166731335-8VED2EQXG6UTZ6VWSYVE/IMG_5308.jpg</image:loc>
      <image:title>Murmuring Shores / On the Brink (2024_gallery)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739165570932-PTS5GAXJ3VYFOOCC4XDY/IMG_4927.jpg</image:loc>
      <image:title>Murmuring Shores / On the Brink (2024_gallery) - Nana Tsugawa, Warehouse of Drawings (2020-2024)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739166807144-WMZBFY3RZUPELPIDY026/IMG_5332.jpg</image:loc>
      <image:title>Murmuring Shores / On the Brink (2024_gallery)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739171019907-2DBFC23M39XUV5SEFUMS/%E8%A3%9C%E6%AD%A3%E6%B8%88%E3%81%BF04-1.jpg</image:loc>
      <image:title>Murmuring Shores / On the Brink (2024_gallery)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739167223627-38HHQRI48TX93JH028XT/%E8%A3%9C%E6%AD%A3%E6%B8%88%E3%81%BF001-5.jpg</image:loc>
      <image:title>Murmuring Shores / On the Brink (2024_gallery)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739165860188-SGX6R14JT3KUM4WDDGW5/IMG_4954.jpg</image:loc>
      <image:title>Murmuring Shores / On the Brink (2024_gallery) - NG Hui Hsien, Dewdrops in the morning sun (2024)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739166746005-RA36BIABNHGRUKWHQ5WP/IMG_5234.jpg</image:loc>
      <image:title>Murmuring Shores / On the Brink (2024_gallery)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739167410803-GCPZ8ES9XNRUOVMKAEDF/%E8%A3%9C%E6%AD%A3%E6%B8%88%E3%81%BF001-7.jpg</image:loc>
      <image:title>Murmuring Shores / On the Brink (2024_gallery)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739167292380-UGFUXON083BOGBK3DGOZ/%E8%A3%9C%E6%AD%A3%E6%B8%88%E3%81%BF001-8.jpg</image:loc>
      <image:title>Murmuring Shores / On the Brink (2024_gallery)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739165914325-G068AAU6UQ68MRIU7H5N/IMG_4976.jpg</image:loc>
      <image:title>Murmuring Shores / On the Brink (2024_gallery)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739166048516-Q7MCQINYLKHU93NM3D0A/IMG_4996.jpg</image:loc>
      <image:title>Murmuring Shores / On the Brink (2024_gallery) - Liu Liling, White Pearl (2024)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739166088073-2J3IGGCX9RMVLU1HY9US/IMG_5013.jpg</image:loc>
      <image:title>Murmuring Shores / On the Brink (2024_gallery)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739165438580-7J27KL0T20PAVK7TRB43/IMG_4890.jpg</image:loc>
      <image:title>Murmuring Shores / On the Brink (2024_gallery) - Ayaka Yoshida, What Should Have Been (2024)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739166884387-5RJEGTOT1132SULL26SP/IMG_5429.jpg</image:loc>
      <image:title>Murmuring Shores / On the Brink (2024_gallery) - Ayaka Yoshida, Although the Color May Be Green, the Fragrance May Be Yellow, (2024)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739165469613-REV6V7B755NBV8X6KXWI/IMG_4894.jpg</image:loc>
      <image:title>Murmuring Shores / On the Brink (2024_gallery) - Ayaka Yoshida, Uncompromising Demands on Nature (2024)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739165975277-58NBBYGNWKPE0MA52CF9/IMG_4985.jpg</image:loc>
      <image:title>Murmuring Shores / On the Brink (2024_gallery)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739167129058-ZDJNZ9BVDR8B7EIIKQJ8/%E8%A3%9C%E6%AD%A3%E6%B8%88%E3%81%BF001-3.jpg</image:loc>
      <image:title>Murmuring Shores / On the Brink (2024_gallery) - Yumi Nishimura, Photo Frame (1994) (left),  緑映 (Ryoku-ei): Reflected Greenery (2024) (right)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739165501269-ZZFY5FTFDW703A5W5WUJ/IMG_4906+2.jpg</image:loc>
      <image:title>Murmuring Shores / On the Brink (2024_gallery)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739167085236-8PR5JZFFU49WBTOVI7TJ/%E8%A3%9C%E6%AD%A3%E6%B8%88%E3%81%BF001-4.jpg</image:loc>
      <image:title>Murmuring Shores / On the Brink (2024_gallery)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739167033190-P278SBUJ38MQJKD3KNZW/%E8%A3%9C%E6%AD%A3%E6%B8%88%E3%81%BF001-2.jpg</image:loc>
      <image:title>Murmuring Shores / On the Brink (2024_gallery) - Yumi Nishimura, A painting I can no longer complete. Flat characters (2024)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739166415211-Z4CJL43T8QIGT7896YI3/IMG_5113.jpg</image:loc>
      <image:title>Murmuring Shores / On the Brink (2024_gallery)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739166665282-WV5IN6Q278RDT4SCQ8BQ/IMG_5127.jpg</image:loc>
      <image:title>Murmuring Shores / On the Brink (2024_gallery) - Liu Liling, Islet Dew II (2024)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739166495046-GKG2GWOQFUF2VC9P7EUG/IMG_5124.jpg</image:loc>
      <image:title>Murmuring Shores / On the Brink (2024_gallery)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739166633825-BAUDNH9Y7MXWYGDJSDVI/IMG_5137.jpg</image:loc>
      <image:title>Murmuring Shores / On the Brink (2024_gallery)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739166939341-O4FVUXMMCHAXCYFBRVS3/%E8%A3%9C%E6%AD%A3%E6%B8%88%E3%81%BF001-1.jpg</image:loc>
      <image:title>Murmuring Shores / On the Brink (2024_gallery) - Ayaka Yoshida, What Should Have Been (2024)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739166860632-R1YBWK6QZ4E8SNWV2YEJ/IMG_5427.jpg</image:loc>
      <image:title>Murmuring Shores / On the Brink (2024_gallery) - Yumi Nishimura,   図形的登場人物（Flat characters）(2015)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739170752600-AY89APP6Y19Q9601XDKL/%E8%A3%9C%E6%AD%A3%E6%B8%88%E3%81%BF002-1_s.jpg</image:loc>
      <image:title>Murmuring Shores / On the Brink (2024_gallery) - Susanna Tan,  待樹(Tai-ju): Patience of a Broken Pine) , 2024</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1739167581039-P3EA08JYT8LQ9RQC7H3A/%E8%A3%9C%E6%AD%A3%E6%B8%88%E3%81%BF002-2.jpg</image:loc>
      <image:title>Murmuring Shores / On the Brink (2024_gallery)</image:title>
    </image:image>
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  <url>
    <loc>https://www.yutakainagawa.net/bio</loc>
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    <lastmod>2025-09-14</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/054b9f37-4985-45d9-9f2a-b7d6c9ccb4e5/tempImage6CP29i.jpg</image:loc>
      <image:title>Bio</image:title>
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  <url>
    <loc>https://www.yutakainagawa.net/contact2</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-03-20</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1521510615740-7XR8PIC483ZGLRAX3TWO/DSC_9746.jpg</image:loc>
      <image:title>Contact</image:title>
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    <loc>https://www.yutakainagawa.net/press</loc>
    <changefreq>daily</changefreq>
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  <url>
    <loc>https://www.yutakainagawa.net/pagecv</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-02-03</lastmod>
  </url>
  <url>
    <loc>https://www.yutakainagawa.net/unpublished-recent-work</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2018-11-08</lastmod>
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  <url>
    <loc>https://www.yutakainagawa.net/new-page</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-01-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1547803204857-N1IR4M9YAS4AOQQVMI9L/Title_OSAKA.jpg</image:loc>
      <image:title>New Page</image:title>
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  <url>
    <loc>https://www.yutakainagawa.net/another-pair-of-eyes-pressrelease</loc>
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    <priority>0.75</priority>
    <lastmod>2019-12-18</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1576652552838-78ZVUTSK79K66WIKGC9F/sp_three_01_m.jpg</image:loc>
      <image:title>Another Pair of Eyes Press-release</image:title>
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  <url>
    <loc>https://www.yutakainagawa.net/about-collectors</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-12-21</lastmod>
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  <url>
    <loc>https://www.yutakainagawa.net/about-duddells</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-12-21</lastmod>
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  <url>
    <loc>https://www.yutakainagawa.net/test-page-2020</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-07-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1595831294442-XXKQ22OPG4F2DDJZCXOD/text_photo_image12.jpg</image:loc>
      <image:title>test page 2020</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1595831808414-R8JQW7BU9HS9OMU9AGZ6/text_photo_image02.jpg</image:loc>
      <image:title>test page 2020</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1595831667906-IVB6HA1IMSJNN8YG9TRJ/text_photo_image14.jpg</image:loc>
      <image:title>test page 2020</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1595831802112-L4HKWKYLKNUBRAWJM0Z4/text_photo_image06-2.jpg</image:loc>
      <image:title>test page 2020</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1595831708802-S5HIAKPB6UC3KKFOYAVU/text_photo_image13.jpg</image:loc>
      <image:title>test page 2020</image:title>
    </image:image>
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    <loc>https://www.yutakainagawa.net/say-to-day-2020</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-12-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1608247974778-6MZOPS74V4RPNNCQ13GD/say_to_day_glass_1_s_2.jpg</image:loc>
      <image:title>Say to Day en about - Say to Day</image:title>
      <image:caption>Multilingual cross-discipline exploration</image:caption>
    </image:image>
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  <url>
    <loc>https://www.yutakainagawa.net/say-to-day-chi-about</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-12-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1608248734019-OIRX8E71HK3ENJKZW44J/say_to_day_glass_3_s_2.jpg</image:loc>
      <image:title>Say to Day Chi about - Say to Day</image:title>
      <image:caption>多語言跨領域探索</image:caption>
    </image:image>
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  <url>
    <loc>https://www.yutakainagawa.net/say-to-day-jp-about</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-12-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1608339846000-G700VZFOL1B91TVRUZ9R/say_to_day_glass_1_s_2.jpg</image:loc>
      <image:title>Say to Day JP about - Say to Day</image:title>
      <image:caption>Multilingual cross-discipline exploration</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.yutakainagawa.net/ying-kwok-bio</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-04-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1617778308878-7UDDINYCKAUVVUGGT0I4/Ying-profile-pic_lowres.jpg</image:loc>
      <image:title>Ying Kwok bio</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.yutakainagawa.net/melanie-pocock-bio</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-04-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1617778454998-9KWYXU1XJMCAOZS85UTW/melanie_portrait_2.jpg</image:loc>
      <image:title>Melanie Pocock bio</image:title>
      <image:caption>Melanie Pocock, 2018. Photo: Ken Cheong.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.yutakainagawa.net/glass-man-x-say-to-day</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-10-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1633485981519-6LSGV2PJUM8XRWZFCK7F/GM_45_Mens_Culture%26Travel_Art-p124.jpg</image:loc>
      <image:title>Glass Man x Say to Day - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1633486020127-5JG6XG2DUSZTM8U3Q0QO/GM_45_Mens_Culture%26Travel_Art-p125.jpg</image:loc>
      <image:title>Glass Man x Say to Day - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.yutakainagawa.net/cv-jp</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-02-03</lastmod>
  </url>
  <url>
    <loc>https://www.yutakainagawa.net/easymechanismtalk</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-10-17</lastmod>
  </url>
  <url>
    <loc>https://www.yutakainagawa.net/260328339059</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-11-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/c9268901-8b8f-4dd3-9850-d5163fea2100/%E7%AC%A6%E3%81%A8%E6%80%9D%E3%81%84%E3%80%81%E3%81%82%E3%81%A1%E3%82%89%E3%82%92%E8%A6%8B%E3%82%8B-1.jpg</image:loc>
      <image:title>符と思い、あちらを見る</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.yutakainagawa.net/floor-1-first-floor</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-08-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1713915022823-RG0TGUGQ4RJ79Z6A3ZZG/odd_sock-35.jpg</image:loc>
      <image:title>Floor 1 (first floor)</image:title>
      <image:caption>*A diverse collection of artworks on the first floor, each creatively juxtaposed within the enigmatic realms designed by Yutaka Inagawa.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1714605560961-Z9HQLWJGHYMEWAOFG97P/7RV01026-20240425.jpg</image:loc>
      <image:title>Floor 1 (first floor)</image:title>
      <image:caption>Featuring Rikako Kawauchi ('in the morning', 2023)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1714525323823-B60MB0JGZKP3YOOXGFF0/7RV01092-20240425.jpg</image:loc>
      <image:title>Floor 1 (first floor) - Make it stand out</image:title>
      <image:caption>Showcasing works by Rikako Kawauchi( ('magic antler', 2024) alongside 'Samba of Insects' by Junkichi Kageyama from the Art Gallery Miyauchi collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1713914983199-13TT8Y2NJK9X95CDYJS9/odd_sock-29.jpg</image:loc>
      <image:title>Floor 1 (first floor) - Make it stand out</image:title>
      <image:caption>A diverse collection of artworks on the first floor, each creatively juxtaposed within the enigmatic realms designed by Yutaka Inagawa.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1714374774276-7RLW3HJ730WJ68SLDH42/7RV01025.JPG</image:loc>
      <image:title>Floor 1 (first floor)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/a5b14a52-0c97-4c0c-957f-0c593d83a7f3/odd_sock_new_yutaka-1.jpg</image:loc>
      <image:title>Floor 1 (first floor) - Make it stand out</image:title>
      <image:caption>Yu Araki ('FUEL', 2019) and The Portland Inn Project’s 'The Portland Pigeon' playfully juxtaposed within bespoke environments crafted by Yutaka Inagawa</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1714381289602-ZAXT9EPANTU4TTHJV3EG/7RV01107-20240425.jpg</image:loc>
      <image:title>Floor 1 (first floor) - Make it stand out</image:title>
      <image:caption>The Portland Inn Project’s 'The Portland Pigeon' was placed on the surface of Yu Araki's projection 'FUEL' (2019).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1713915140783-V9LSHK7VSCQRCGID4NU7/odd_sock-45.jpg</image:loc>
      <image:title>Floor 1 (first floor)</image:title>
      <image:caption>*Featuring South Ho's "Mythical Shelter" (2023) in the middle of the photo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1713916105430-OZQY3XC18HIDYJ61ATPU/odd_sock-132.jpg</image:loc>
      <image:title>Floor 1 (first floor) - Make it stand out</image:title>
      <image:caption>*</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1719373410619-L2REXNZSLAEU4AQGLEHZ/7RV01034-20240427.jpg</image:loc>
      <image:title>Floor 1 (first floor)</image:title>
      <image:caption>Featuring Alma Tischlerwood ('FRAGILE STATES', 2024) , Kara Chin ('Inaugurare', 2023) , and South Ho (‘Mythical Shelter', 2023)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1714381226521-86EHFUWLYGHF6QAMF8NO/7RV01037-20240425.jpg</image:loc>
      <image:title>Floor 1 (first floor)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1714381247244-2WLGQA2Q9Y6JY1AR5AW3/7RV01057-20240425.jpg</image:loc>
      <image:title>Floor 1 (first floor)</image:title>
      <image:caption>Alma Tischlerwood ('FRAGILE STATES', 2024)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1714523221029-FW6NSOTF8NEM31U17PVN/7RV01156-20240425.jpg</image:loc>
      <image:title>Floor 1 (first floor) - Make it stand out</image:title>
      <image:caption>Featuring a series of eight A1-sized posters displaying manipulated email correspondences reenacted by AI avatars of both Yutaka Inagawa and Taro Izumi.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1714523211043-V2H7TEOCUM4CNH5E7LY7/7RV01157-20240425.jpg</image:loc>
      <image:title>Floor 1 (first floor) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/2aa3b438-2e22-48ba-bcbb-3a39739d206d/7RV00807-20240425.jpg</image:loc>
      <image:title>Floor 1 (first floor) - Make it stand out</image:title>
      <image:caption>Featuring Kara Chin ('Inaugurare', 2023)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1714605534041-AW0TAVL80I115QZS4HD6/7RV01155-20240425.jpg</image:loc>
      <image:title>Floor 1 (first floor) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/9ea03d70-212f-4080-b45a-62c7a0482f38/7RV01093-20240425.jpg</image:loc>
      <image:title>Floor 1 (first floor) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/f3f07547-ec24-413c-a467-522a24c88a77/odd_sock_new_pp_poster-1.jpg</image:loc>
      <image:title>Floor 1 (first floor) - Make it stand out</image:title>
      <image:caption>The Portland Inn Project’s The 100 Year Plan campaign consists of four images as part of a billboard campaign, featuring photography by Felicity Crawshaw and graphic design by Dan Muir. These posters identify the four pillars of the Portland Street neighbourhood's 100 Year Plan.]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1719464738122-AR2BWEJRWNMNHX286GHU/odd_sock08.jpg</image:loc>
      <image:title>Floor 1 (first floor) - Make it stand out</image:title>
      <image:caption>Artworks by Kyung Hwa Shon, Rikako Kawauchi, Alma Tischlerwood, Sai, The Portland Inn Project and Gary Clough, complemented by Junkichi Kageyama's 'Samba of Insects', thoughtfully juxtaposed in the spaces architected by Yutaka Inagawa.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/27ec47d3-1bec-480a-afa1-6c599c973ccb/odd_sock010.jpg</image:loc>
      <image:title>Floor 1 (first floor) - Make it stand out</image:title>
      <image:caption>Alma Tischlerwood’s video compilation, ‘FRAGILE STATES' (2024), projected onto a bespoke structure using rearranged furniture and creative units, including coloured and trimmed timber and black rope.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/eba1473f-2138-4cf7-b432-23c1d66700e1/7RV01131-20240425.jpg</image:loc>
      <image:title>Floor 1 (first floor) - Make it stand out</image:title>
      <image:caption>Featuring Gary Clough's 'Blue Repair Vessel' (2024) and Sai's '当我们同在一起 (Together) No. 3' (2023), presented with rearranged wooden display tables from Art Gallery Miyauchi, along with coloured and trimmed timber and soft sculptures by artist-curator Yutaka Inagawa.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1714381854838-2XMD42LC7JN4Z4EM6KA2/7RV01234-20240427.jpg</image:loc>
      <image:title>Floor 1 (first floor) - Make it stand out</image:title>
      <image:caption>Featuring Kyung Hwa Shon's '39N 125E 22' (2024), a new work derived from her ongoing project 'In the Flow: Onomichi and Korea', hung on a bespoke wall with slits designed by artist-curator Yutaka Inagawa.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1713914873631-AA1VXF3GZK56QPB2A7I8/odd_sock-14.jpg</image:loc>
      <image:title>Floor 1 (first floor) - Make it stand out</image:title>
      <image:caption>*photo: Yutaka Inagawa Two large prints on paper attached to rectangular cuboids, '39N 125E 00-01' and '39N 125E 00-02' by Kyung Hwa Shon.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1714639213968-VKSTG2ZZ1ZVU7MLZ6M92/7RV01076-20240425.jpg</image:loc>
      <image:title>Floor 1 (first floor) - Make it stand out</image:title>
      <image:caption>Featuring Sai ('当我们同在一起 (Together) No. 3', 2023)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1714639212360-6AJD1LD2VWZ1VYRAYU0Q/7RV01080-20240425.jpg</image:loc>
      <image:title>Floor 1 (first floor) - Make it stand out</image:title>
      <image:caption>Featuring Sai ('当我们同在一起 (Together) No. 5', 2023) and The Portland Inn Projects ('Portland Palissy Ware', 2023)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1713914954752-8FVKDD2JUPBDC1NN9NR6/odd_sock-25.jpg</image:loc>
      <image:title>Floor 1 (first floor) - Make it stand out</image:title>
      <image:caption>*Featuring Ryo Uchida and Ayaka Ura, "Discussion where flies gather" (17 April 2024) / "Diary about relationship with (a lacked)" (9 April 2024), 2023.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/054ffa6f-f748-4d56-abf0-58c41ab74805/tempImagegt5Gin.jpg</image:loc>
      <image:title>Floor 1 (first floor) - Make it stand out</image:title>
      <image:caption>*Photo: Yutaka Inagawa Artist Ayaka Ura's work, "Discussion where flies gather (17 April 2024) / Diary about relationship with (a lacked) (9 April 2024)," features handwritten texts on a constructed structure and laser-printed text on a sheet of paper. She also brought her previous scrapbook, "There is no political position with Tinder, Baby" (2017/2024), to reuse as part of her new work. Ura used a whiteboard and allocated wall space to capture her experience in the gallery during the setup, responding to stimuli through observation, writing, and drawing, reflecting on her personal memories and encounters with death and life. She also created an open space where visitors can brainstorm on a whiteboard to translate and verbalize 'absent relationships,' serving as an alternative form of mourning.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/b9293934-6c83-432f-8bb9-baad28f48344/7RV00782-20240425.jpg</image:loc>
      <image:title>Floor 1 (first floor) - Make it stand out</image:title>
      <image:caption>Featuring Kara Chin ('Fitbit Worship', 2020)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/40def4d0-758d-4a66-9e54-dbd79806bc03/7RV01194-20240427.jpg</image:loc>
      <image:title>Floor 1 (first floor) - Make it stand out</image:title>
      <image:caption>Featuring Ryo Uchida ('the case of diamonds', 2022) and ('about the weather #1', 2022)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/14cbb1b4-b6b8-4c9b-add3-15b34930d25c/7RV01143-20240427.jpg</image:loc>
      <image:title>Floor 1 (first floor) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/27fb85f9-16bb-4797-bf72-e949e4f3f3f9/7RV01054-20240425.jpg</image:loc>
      <image:title>Floor 1 (first floor) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1714381236365-4H0V47BJEZJ7W0MYL6R1/7RV01044-20240425.jpg</image:loc>
      <image:title>Floor 1 (first floor) - Make it stand out</image:title>
      <image:caption>Exhibiting Kara Chin's 'Bad Insulation' (2024), placed on a sculptural pedestal alongside creative units by artist-curator Yutaka Inagawa.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/9489b6de-15ce-47cc-8f49-0f761fa98e2a/7RV01032-20240425.jpg</image:loc>
      <image:title>Floor 1 (first floor) - Make it stand out</image:title>
      <image:caption>Featuring Kara Chin ('Inaugurare', 2023)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1a3f2fed-c345-40b6-aa18-cec1e4e296bf/7RV01296-20240427.jpg</image:loc>
      <image:title>Floor 1 (first floor) - Make it stand out</image:title>
      <image:caption>Featuring Ryo Uchida's 'Triangle Cutout #2~#4, #6~#8' (2021), surrounded by creative units designed by Yutaka Inagawa</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/ae3274cc-561f-4ae9-948e-cbc310d14102/7RV01201-20240427.jpg</image:loc>
      <image:title>Floor 1 (first floor) - Make it stand out</image:title>
      <image:caption>Featuring Ryo Uchida's 'Triangle Cutout #2~#4, #6~#8' (2021), set within a bespoke environment designed by artist-curator Yutaka Inagawa</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/3083e6f4-9d9a-4af7-938d-cb66f5f586e6/7RV00541-20240425.jpg</image:loc>
      <image:title>Floor 1 (first floor) - Make it stand out</image:title>
      <image:caption>This selection of posters is a small range of designed artworks made in collaboration with residents of the Portland Street neighbourhood. Each poster seeks to share and make visible the community and its story. A larger format poster is "Email Correspondence via Otherworldly Avatars.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/f7ac3d49-436b-4fac-8b67-b6806824c9a5/7RV00771-20240425.jpg</image:loc>
      <image:title>Floor 1 (first floor) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.yutakainagawa.net/floor-2-second-floor</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-08-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1714374630184-D71MDSWBS7ZOVILZFIE7/7RV00555-20240427.jpg</image:loc>
      <image:title>Floor 2 (second floor) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1714381045015-BR1TMO1M3CWLUILUENTD/7RV00842-20240425.jpg</image:loc>
      <image:title>Floor 2 (second floor) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/57a77909-adc4-4ef7-8c83-b1c812afdba1/7RV00947-20240427.jpg</image:loc>
      <image:title>Floor 2 (second floor) - Make it stand out</image:title>
      <image:caption>Featuring Ryo Uchida  (‘carnite landowner', 2021) in the middle of the photo</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/f0b42718-9e97-46b7-8e84-c8452e17f716/7RV00835-20240425.jpg</image:loc>
      <image:title>Floor 2 (second floor) - Make it stand out</image:title>
      <image:caption>Featuring Kara Chin  (‘Awakening Ceremony', 2021) in the middle of the photo</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1714380961567-5U6898RZDURITJ97KGL8/7RV00711-20240425.jpg</image:loc>
      <image:title>Floor 2 (second floor) - Make it stand out</image:title>
      <image:caption>Featuring Wang Ruobing  (‘Three Planks', 2021) in the middle of the photo</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/c5a31f60-2f2a-4306-a1b1-a2fa9bf06218/7RV00662-20240425.jpg</image:loc>
      <image:title>Floor 2 (second floor) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/e94316aa-3231-4a05-a619-33b1f31b1962/7RV00656-20240425.jpg</image:loc>
      <image:title>Floor 2 (second floor) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/3ecaffa4-9641-4b97-9e15-d06fed2601c7/7RV00650-20240425.jpg</image:loc>
      <image:title>Floor 2 (second floor) - Make it stand out</image:title>
      <image:caption>Featuring Guanyu Xu  (‘RK-08282018-01142022', 2022)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1714381004313-UL0YRS393H050EDC6KOC/7RV00749-20240425.jpg</image:loc>
      <image:title>Floor 2 (second floor) - Make it stand out</image:title>
      <image:caption>Featuring Daniel Silva  (‘WE', 2024)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/3f9deab3-dd66-41d2-976a-1fe288efde01/7RV01255-20240427.jpg</image:loc>
      <image:title>Floor 2 (second floor) - Make it stand out</image:title>
      <image:caption>Kong Chun Hei's ('Flooding', 2019), originally presented with several enlarged water gauge sculptures forming a straight line, has been boldly reinterpreted by artist-curator Yutaka Inagawa into a cross-shaped arrangement for this curatorial framework and show.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/8defba7a-4cd1-491e-8910-d8052e9ccf4d/odd_sock_01.jpg</image:loc>
      <image:title>Floor 2 (second floor) - Make it stand out</image:title>
      <image:caption>Artist Daniel Silva visited the gallery space during the setup to engage directly with the curatorial framework, as his work often involves site-specific installations. "Wax Over Flesh" and "3 Fish" particularly embody this quality. "Wax Over Flesh" demonstrates mutable sculptural qualities, allowing for fragmentation and an open structure, which creates an interwoven, intimate relationship with the show’s structure. Silver's interventions aimed to add more layers to the complex structure of the show and its exploration of interconnectedness. His practice, which also emphasizes interconnectedness, found a resonant echo with the show's concept.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/630c50de-66c0-43ef-a38a-09ae9b9199f6/7RV00691-20240425.jpg</image:loc>
      <image:title>Floor 2 (second floor) - Make it stand out</image:title>
      <image:caption>Daniel Silva’s "Wax Over Flesh” (2024) engages in a creative dialogue with the manipulated formation of Kong Chun Hei’s "Flooding" (2019).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1714380985658-T06KJLPKQ6SEA723MKV7/7RV00730-20240425.jpg</image:loc>
      <image:title>Floor 2 (second floor) - Make it stand out</image:title>
      <image:caption>Daniel Silva’s "3 Fish" (2024) engages lyrically with the reimagined arrangement of Kong Chun Hei’s "Flooding" (2019)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1091a7b4-c71e-407e-8da1-cfb207daddbc/7RV00753-20240425.jpg</image:loc>
      <image:title>Floor 2 (second floor) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/ca3af42b-d2d9-43a5-a926-51d26cd9d798/7RV00676-20240425.jpg</image:loc>
      <image:title>Floor 2 (second floor) - Make it stand out</image:title>
      <image:caption>Featuring Sai  (‘Adapt Adapter III’, 2020)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1714374655945-HW5CCHMLGDYO1C9NY3H6/7RV00723.JPG</image:loc>
      <image:title>Floor 2 (second floor) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1714040526248-L4MX2PL9DWPCPZUSLF3W/7RV00696.JPG</image:loc>
      <image:title>Floor 2 (second floor) - Make it stand out</image:title>
      <image:caption>Featuring Ryo Uchida  (‘circle’, 2024)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/3d3c8132-09d2-44ce-9e82-3c33ef490dd5/7RV00850-20240425.jpg</image:loc>
      <image:title>Floor 2 (second floor) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/33d446d1-629b-4532-8a66-3acb7fa22b36/7RV00979-20240425.jpg</image:loc>
      <image:title>Floor 2 (second floor) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/b5c0b742-ab20-41e4-b2b9-a957ce7caff1/7RV00574-20240425.jpg</image:loc>
      <image:title>Floor 2 (second floor) - Make it stand out</image:title>
      <image:caption>Featuring Anthony Chin ('The Incomplete Momotaro: Sacred Sailor (IV)', 2024), Ryo Uchida ('Sun #4', 2023), and Guanyu Xu ('LP-08292016-04112021', 2021) within bespoke environments created by Yutaka Inagawa, including various creative units and painting-like backgrounds by Yutaka Inagawa.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1714381027688-MFIHASVL8Q6L3JTBFNTY/7RV00759-20240425.jpg</image:loc>
      <image:title>Floor 2 (second floor) - Make it stand out</image:title>
      <image:caption>Featuring The Portland Inn Project  (‘Portland Palissy Ware’, 2023)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/966ed01b-ecc3-44aa-820f-89170e008a3d/7RV00692-20240425.jpg</image:loc>
      <image:title>Floor 2 (second floor) - Make it stand out</image:title>
      <image:caption>The pink circles and their intervention reflect Yutaka Inagawa’s creative engagement within the curatorial framework.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/739aae55-bd78-4894-a863-0af1ef966411/7RV00571-20240425.jpg</image:loc>
      <image:title>Floor 2 (second floor) - Make it stand out</image:title>
      <image:caption>Anthony Chin's The Incomplete Momotaro: Sacred Sailor (IV) (2024) is a site-specific response to a unique invitation. Under the supervision of Yutaka Inagawa, local gardener Masataka Namba of Suizyuen constructed a hybrid garden that combines elements of a Japanese Garden and Zen Garden, emphasizing a black-and-white aesthetic with black-inked water. The garden is surrounded by a series of pink circles, with a piece from the Portland Palissy Ware by the Portland Street Project placed on one of these circles. The backdrop of the garden features a wall space covered by a spray-painted background, resembling a sort of semi-abstract landscape painting with pseudo-Japanese elements. Ryo Uchida's painting, Sun #4 (2023), is hung over part of this spray-painted background. Artist Anthony Chin added another layer by adjusting the shape of the garden's outer edge and aligned the formation of the pink circles.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1719469100195-DEWILCKNUR60P9T53G0Q/7RV00564-20240425.jpg</image:loc>
      <image:title>Floor 2 (second floor)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/526b9b93-71c8-4023-af4f-8f8d0f0414ed/7RV00854-20240425.jpg</image:loc>
      <image:title>Floor 2 (second floor) - Make it stand out</image:title>
      <image:caption>Detail of Anthony Chin’s "The Incomplete Momotaro: Sacred Sailor (IV)" (2024)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/fb939764-e9c8-4ae3-81a2-3528e52bfe21/7RV00598-20240425.jpg</image:loc>
      <image:title>Floor 2 (second floor) - Make it stand out</image:title>
      <image:caption>Ryo Uchida ’s ’on the lotus’ (2022) is juxtaposed with Daniel Silva’s ‘Insects in Translation’ (2024), Sai’s ‘Tok......Tok……’(2021) and Bouie Choi’s ‘The portal’ (2022)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/96d6c6fa-1c27-4b54-9d54-64315f637c27/7RV00737-20240427.jpg</image:loc>
      <image:title>Floor 2 (second floor) - Make it stand out</image:title>
      <image:caption>Detail of Anthony Chin’s "The Incomplete Momotaro: Sacred Sailor (IV)" (2024)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1714523858299-QIS7L2MJ7GKWCUNVDCAF/7RV01266-20240427.jpg</image:loc>
      <image:title>Floor 2 (second floor)</image:title>
      <image:caption>Bouie Choi’s "That Night the Bus Stalled" (2022), "My Sedimentary Rock" (2022), and "The Portal" (2022) are juxtaposed with Sai’s "Tok......Tok……" (2021), "当我们同在一起 (Together) No. 1" (2023), and "Erlang Shen_01" (2021)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1714380904022-QNORHHLP5XGQTJNZN8N6/7RV00596-20240425.jpg</image:loc>
      <image:title>Floor 2 (second floor) - Make it stand out</image:title>
      <image:caption>Bouie Choi ’s ’That moment, we are homed’ (2023) is juxtaposed with Sai’s ‘Untitled Walk II’ (2021)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1714381876139-EKJZ9CKPC18WG4DVWNSR/7RV01258-20240427.jpg</image:loc>
      <image:title>Floor 2 (second floor)</image:title>
      <image:caption>Bouie Choi’s "That night the bus stalled" (2022) (right), "My Sedimentary Rock" (2022) (left), and Sai’s "The Portal" (2022) (centre).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/4ea92396-e795-48de-8f9d-a6a78e481f9d/7RV00715-20240425.jpg</image:loc>
      <image:title>Floor 2 (second floor) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/8254c04c-a933-4f6c-a6ef-3c0376c52983/odd_sock012.jpg</image:loc>
      <image:title>Floor 2 (second floor) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/7876fdd9-8abd-4e37-a29b-4c0c5ccd5b34/7RV00989-20240425.jpg</image:loc>
      <image:title>Floor 2 (second floor) - Make it stand out</image:title>
      <image:caption>Featuring Tang Kwok Hin (‘Twisting Caps’, 2024) – an instruction-based artwork created in response to the curatorial framework.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/dadef0f3-e564-4e1c-b305-786ee2e4481a/odd_sock03.jpg</image:loc>
      <image:title>Floor 2 (second floor) - Make it stand out</image:title>
      <image:caption>Featuring Tang Kwok Hin  (‘Twisting Caps’, 2024) and The Portland Inn Project (‘The Portland Pigeon’ 2024)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/f5146bb9-8883-4922-be69-7cb98dc8cec0/7RV00991-20240425.jpg</image:loc>
      <image:title>Floor 2 (second floor) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/58c0b711-cb70-4811-8d4f-fa6e33070135/7RV00627-20240425.jpg</image:loc>
      <image:title>Floor 2 (second floor) - Make it stand out</image:title>
      <image:caption>Featuring Tang Kwok Hin  (‘Twisting Caps’, 2024)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/4539dfc9-9809-4475-af4e-a75abfb549f3/7RV00654-20240425.jpg</image:loc>
      <image:title>Floor 2 (second floor) - Make it stand out</image:title>
      <image:caption>Featuring Tang Kwok Hin  (‘Twisting Caps’, 2024) and The Portland Inn Project (‘Posters for Portland Street’ 2024)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/e5d02a6e-3727-42b8-8d43-f0c01bc36c1d/7RV00632-20240425.jpg</image:loc>
      <image:title>Floor 2 (second floor) - Make it stand out</image:title>
      <image:caption>Gallery staff created soft objects using socks, gloves, and discarded plastic bottles and caps from a local hospital group, following the artist’s instructions.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/e5a1afca-139f-4b29-8272-ecf3808929ca/7RV00998-20240425.jpg</image:loc>
      <image:title>Floor 2 (second floor) - Make it stand out</image:title>
      <image:caption>Detail of Tang Kwok Hin  (‘Twisting Caps’, 2024)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1714380939719-P76CHVIQBJJXQUKE9PH7/7RV00638-20240425.jpg</image:loc>
      <image:title>Floor 2 (second floor) - Make it stand out</image:title>
      <image:caption>Featuring Tang Kwok Hin (‘Twisting Caps’, 2024) – an instruction paper showing various ideas to interact with materials and shapes.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/4dc33142-cd75-45c7-8918-337a8c01f03c/7RV00557-20240425.jpg</image:loc>
      <image:title>Floor 2 (second floor) - Make it stand out</image:title>
      <image:caption>Featuring Guanyu Xu (‘LP-08292016-04112021', 2021) and Ryo Uchida (‘court’ 2024) in conjunction with Yutaka Inagawa’s creative units.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1f260d7f-032a-42d4-a71b-c0e9f92a928e/7RV01243-20240427.jpg</image:loc>
      <image:title>Floor 2 (second floor) - Make it stand out</image:title>
      <image:caption>The background of Guanyu Xu’s (‘LP-08292016-04112021', 2021) features four different rolls of wallpaper overlapping each other, creating a quasi-domestic feeling. The wallpaper is the same as that used in artist-curator Yutaka Inagawa’s house in Onomichi. The foreground includes a series of chairs belonging to Art Gallery Miyauchi, with part of the legs cut off and tilted at an angle, also stenciled with their own dimensions. This bespoke intervention was crafted by Yutaka Inagawa.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1714380924454-ZW6RO5HXLGTVQKMGZJVK/7RV00614-20240425.jpg</image:loc>
      <image:title>Floor 2 (second floor) - Make it stand out</image:title>
      <image:caption>Featuring Ryo Uchida (‘court’ 2024) and Guanyu Xu (‘LP-08292016-04112021', 2021) in conjunction with Yutaka Inagawa’s creative units.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.yutakainagawa.net/read-more-about-the-exhibition</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-07-25</lastmod>
  </url>
  <url>
    <loc>https://www.yutakainagawa.net/talk-sessions</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-08-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/0d81a3f7-af4a-4c4d-ae3b-14608bdf6ec7/talk0420-04906.jpg</image:loc>
      <image:title>Talk Sessions - Make it stand out</image:title>
      <image:caption>From left to right: Gary Clough, Kara Chin, and Sai.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/513229b4-163a-4f98-98dd-4019ac5c9170/talk0420-05048.jpg</image:loc>
      <image:title>Talk Sessions - Make it stand out</image:title>
      <image:caption>From left to right: Yutaka Inagawa and Ryo Uchida.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/891c0d1b-e868-4065-99ef-cd1a5f2481d8/talk0420-05175.jpg</image:loc>
      <image:title>Talk Sessions - Make it stand out</image:title>
      <image:caption>From left to right: Daniel Silva, Kyung Hwa Shon, and Anthony Chin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/0b06afa3-a133-4fb9-bbc1-f8d43d9c34af/talk0420-05211.jpg</image:loc>
      <image:title>Talk Sessions - Make it stand out</image:title>
      <image:caption>From left to right: Yutaka Inagawa and Rikako Kawauchi.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/06d66c65-75e3-4765-a4f6-888cb9af561d/talk0420-05427.jpg</image:loc>
      <image:title>Talk Sessions - Make it stand out</image:title>
      <image:caption>From left to right, facing the camera: Rebecca Davies, Anna Francis, and Yu Araki. In the foreground, Yutaka Inagawa and Ayaka Ura are shown with their backs to the camera.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1358e5b4-f4c1-4b91-ad8c-d53fc4fc06d1/talk0420-05528.jpg</image:loc>
      <image:title>Talk Sessions - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/3e72bc16-cc6a-4723-881a-226651ebb1d1/IMG_2806.JPG</image:loc>
      <image:title>Talk Sessions - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/2177860a-ee79-43a5-a9fe-b52a27b1ec61/DSC06724%E3%82%B3%E3%83%94%E3%83%BC.JPG</image:loc>
      <image:title>Talk Sessions - Make it stand out</image:title>
      <image:caption>From left to right: Yutaka Inagawa, Wang ruobing, and Sai.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/e2daf639-8aef-49f3-bc63-0f6e136a6584/DSC06793%E3%82%B3%E3%83%94%E3%83%BC.JPG</image:loc>
      <image:title>Talk Sessions - Make it stand out</image:title>
      <image:caption>Fumio Iwamoto</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/324ba015-2d68-495f-97d4-98844a16b1ae/DSC06973%E3%82%B3%E3%83%94%E3%83%BC.JPG</image:loc>
      <image:title>Talk Sessions - Make it stand out</image:title>
      <image:caption>From left to right: Yutaka Inagawa, and Kaho Ikeda.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1b13fde8-ceca-4402-8780-8edfead08dca/DSC06993%E3%82%B3%E3%83%94%E3%83%BC.JPG</image:loc>
      <image:title>Talk Sessions - Make it stand out</image:title>
      <image:caption>From left to right: Ying Kwok, Yutaka Inagawa, and Kaho Ikeda. On the screen, top to bottom: Tang Kwok Hin and Bouie Choi</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/a98d22b0-ddbc-48f7-b792-841960a27250/03065181-0371-48f7-938e-4655813f462d.JPG</image:loc>
      <image:title>Talk Sessions - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/6a85569d-9b00-4457-9315-e90a674cc185/DSC07007%E3%82%B3%E3%83%94%E3%83%BC.JPG</image:loc>
      <image:title>Talk Sessions - Make it stand out</image:title>
      <image:caption>From left to right: Yutaka Inagawa, and Kodama Kanazawa. On the screen, top to bottom: South Ho and Kong Chun Hei.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/c1710003-ae1a-49d2-843d-dc4be5199c32/PHOTO-2024-06-17-12-49-10.jpg</image:loc>
      <image:title>Talk Sessions - Make it stand out</image:title>
      <image:caption>Ying Kwok</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.yutakainagawa.net/see-like-a-bee</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-04-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/aa84e8f3-71db-44b8-968a-02f5af501b2e/IMG_9149.JPG</image:loc>
      <image:title>See Like a Bee by Bill and Hayley - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1637358d-6f04-4d07-b8ab-b43d3b5c64ee/IMG_9169.JPG</image:loc>
      <image:title>See Like a Bee by Bill and Hayley - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/94a8d102-2486-4738-b398-dd6cb9db41ee/IMG_9168.JPG</image:loc>
      <image:title>See Like a Bee by Bill and Hayley - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/44b22e12-3806-4846-8fbe-db12d98768a8/IMG_9177.JPG</image:loc>
      <image:title>See Like a Bee by Bill and Hayley - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.yutakainagawa.net/taroizumi-events</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-08-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/f52225f3-b345-410d-a2ec-e182ced5c64e/448461385_2788331484675908_6991241431924862903_n.jpg</image:loc>
      <image:title>Send a Zamboa, Receive a Pomelo, Return No Buntan  by Taro Izumi. - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/27b53b47-f5c6-4e48-bb71-d3702e738264/448965096_18416030434071756_7146306329960749715_n.jpg</image:loc>
      <image:title>Send a Zamboa, Receive a Pomelo, Return No Buntan  by Taro Izumi. - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/81db5967-4ced-484f-a109-39077bcbb52c/447772235_987935919406698_5920365039774637659_n.jpg</image:loc>
      <image:title>Send a Zamboa, Receive a Pomelo, Return No Buntan  by Taro Izumi. - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/e0015d13-f806-4bb3-b4e2-7af62b7e338a/tempImageoJRfqH.jpg</image:loc>
      <image:title>Send a Zamboa, Receive a Pomelo, Return No Buntan  by Taro Izumi. - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/0eafd305-9e15-4a50-846e-81f86cc693b0/IMG_4407.JPG</image:loc>
      <image:title>Send a Zamboa, Receive a Pomelo, Return No Buntan  by Taro Izumi. - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/74839146-8a78-4505-acff-fcb84a5d79b5/449112752_18416344357071756_5653462877599923393_n.jpg</image:loc>
      <image:title>Send a Zamboa, Receive a Pomelo, Return No Buntan  by Taro Izumi. - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/21f715ee-a6d6-4f1d-9869-1a93afc84c2f/449096835_18416344348071756_5693500589792151490_n.jpg</image:loc>
      <image:title>Send a Zamboa, Receive a Pomelo, Return No Buntan  by Taro Izumi. - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.yutakainagawa.net/workshop-nnnos</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-07-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1720767159622-3ARRRR94WYZJAARH6Z72/SNS_WS0421-05798.jpg</image:loc>
      <image:title>workshop_NNNOS</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1720766661149-SDMQLFUQPBVETPQU3PHM/IMG_9265.JPG</image:loc>
      <image:title>workshop_NNNOS</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1720766683179-XB9O2YSELEGO13ZL08WN/IMG_9234.JPG</image:loc>
      <image:title>workshop_NNNOS</image:title>
    </image:image>
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  <url>
    <loc>https://www.yutakainagawa.net/the-incomplete-momotaro-sacred-sailor-iv-2024</loc>
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    <priority>0.75</priority>
    <lastmod>2024-08-02</lastmod>
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      <image:title>‘The incomplete Momotaro: Sacred Sailor (IV)', 2024 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1d869b6a-f9d9-4586-abda-bece2b92c488/IMG_9088.JPG</image:loc>
      <image:title>‘The incomplete Momotaro: Sacred Sailor (IV)', 2024 - Make it stand out</image:title>
      <image:caption>A gardener, Masataka Namba (second from the left), engages in conversation with artist Anthony Chin (right) in front of the artwork.</image:caption>
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  <url>
    <loc>https://www.yutakainagawa.net/kong-chun-hei-flooding-2019</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-07-31</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/3636a133-7690-4181-8e2f-fe8630179b00/Flooding_1.jpg</image:loc>
      <image:title>Kong Chun Hei  (‘Flooding’, 2019) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.yutakainagawa.net/kara-chin-videowork</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-07-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/ddf13d82-44dc-4b0b-80d7-b81ac11eb70b/Awakening+Ceremony.png</image:loc>
      <image:title>Kara Chin Videowork - Make it stand out</image:title>
      <image:caption>Image credit: Film Still courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/f3ee8fba-5995-4600-823c-9b771dde259a/Inaugurare.jpg</image:loc>
      <image:title>Kara Chin Videowork - Make it stand out</image:title>
      <image:caption>Image credit: Film Still courtesy of the artist</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.yutakainagawa.net/wang-ruobings-three-planks2021</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-07-31</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/8ab413f3-b492-4b4d-928f-cb415314cf69/Three+Planks_WangRuobing_2021_cropped.jpg</image:loc>
      <image:title>Wang Ruobing's Three Planks(2021) - Make it stand out</image:title>
      <image:caption>Three Planks, recycled pallet wood, motor, 2021</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.yutakainagawa.net/guanyu-xus-series-resident-aliens</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-07-31</lastmod>
    <image:image>
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      <image:title>Guanyu Xu's Series: Resident Aliens - Make it stand out</image:title>
      <image:caption>RK-08282018-01142022, Archival Pigment Print, 2022</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/ed18a1c3-e064-42ba-a0e7-18d4a413781b/LP-08292016-04112021.jpg</image:loc>
      <image:title>Guanyu Xu's Series: Resident Aliens - Make it stand out</image:title>
      <image:caption>LP-08292016-04112021, Archival Pigment Print, 2022</image:caption>
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  </url>
  <url>
    <loc>https://www.yutakainagawa.net/new-page-1</loc>
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    <priority>0.75</priority>
    <lastmod>2024-08-01</lastmod>
  </url>
  <url>
    <loc>https://www.yutakainagawa.net/other-works-in-the-studio</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2024-10-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/f591d5d2-b50e-4306-8cf3-15a36c8651b7/%E3%82%B5%E3%83%86%E3%83%B3-1.jpg</image:loc>
      <image:title>Other Works in the Studio - Make it stand out</image:title>
      <image:caption>Rhetoric Ripple 2022, inkjet print on satin Satin Size: 214 × 135 cm Installation Size: Variable number of edition 5</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/fb5597e9-3420-4e22-b95f-2cfa8dfe3e63/fluxosphere_installationview-6.jpg</image:loc>
      <image:title>Other Works in the Studio - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/2d09ea8a-7604-423a-bde3-dab5ac13fab7/%E3%82%B5%E3%83%86%E3%83%B3-2.jpg</image:loc>
      <image:title>Other Works in the Studio - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/bcfd8ec0-79e2-45d3-b2dd-fbab2ed40841/ytuaka_work_kelvin-16.jpg</image:loc>
      <image:title>Other Works in the Studio - Make it stand out</image:title>
      <image:caption>title: #Physical is PC Screen, #Material is Spirit, #Like a Cake 130x165cm (print size is 135x 214cm), 2022, inkjet print on satin Limited Edition Print, 4 of 5 Available</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/35493c0c-4d0a-4e61-a4a5-a01a6a4a9812/yutaka_inagawa_240-290mm.jpg</image:loc>
      <image:title>Other Works in the Studio - Make it stand out</image:title>
      <image:caption>Photographer’s Skin, 2023 Lambda Print Mounted on Aluminum 24 x 29 cm Limited Edition Print, 5 of 7 Available</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/e89dd32b-c7fa-44a8-886d-278e80df2431/Shouting-Hit-or-Miss1%262-s.jpeg</image:loc>
      <image:title>Other Works in the Studio - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/9ee47f06-5cdc-4d7e-ba31-b7703bde1352/easyM_installation_view_R1-157.jpg</image:loc>
      <image:title>Other Works in the Studio - Make it stand out</image:title>
      <image:caption>This installation is featured in my solo exhibition, "eASY mECHANISM | 符 と 思 う (2022)". Materials used include silk screen on black stock and soft sculpture crafted from enamel fabric. While the entire exhibition functions as a cohesive creative medium, certain sections can be adapted and presented as standalone installations. Wall dimensions: 255 (h) × 436 (w) cm.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/5a5b10c8-2e69-48a9-ade8-3643fbfa04ab/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2023-09-01+14.53.34.png</image:loc>
      <image:title>Other Works in the Studio - Make it stand out</image:title>
      <image:caption>Bird, Mantis, Dog, Cat, Rabbit Original 2013, Reworked 2022, oil on canvas Satin Size: 112 × 194 × 3.5cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/cbd8a842-dc3d-4901-9cdc-49b8cc31b2cb/easyM_installation_view_R2-168.jpg</image:loc>
      <image:title>Other Works in the Studio - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/1d299004-4c63-4d5c-89c6-328605759796/amalgamadroit.jpg</image:loc>
      <image:title>Other Works in the Studio - Make it stand out</image:title>
      <image:caption>amalgamadroit ink on paper 83x126cm ( three separate paper 83x42cm) 2009</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/abf75e34-18fb-49f2-b688-28e5dbd08c22/drawing_oldwork.jpg</image:loc>
      <image:title>Other Works in the Studio - Make it stand out</image:title>
      <image:caption>hwylhopscotch 2009, ink on paper 42x59.5cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/5e635802-39c4-488f-9783-3b9b026f55a5/ytuaka_work_artlounge_3-3_h2.jpg</image:loc>
      <image:title>Other Works in the Studio - Make it stand out</image:title>
      <image:caption>Deamland Station 2022, inkjet print on satin Satin Size: 214 × 135 cm Installation Size: Variable</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/91e7ff91-5570-4eae-9980-a073467179ed/smallpainting-1.jpg</image:loc>
      <image:title>Other Works in the Studio - Make it stand out</image:title>
      <image:caption>chewycleft 4 oil on canvas 50x40cm 2009</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/e614ca64-ef0e-49e0-9344-fbb74566b5fe/smallpainting-2.jpg</image:loc>
      <image:title>Other Works in the Studio - Make it stand out</image:title>
      <image:caption>chewycleft 2 oil on canvas 50x40cm 2009</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/0f934e49-7491-41a2-b49e-5141370bf783/smallpainting-3.jpg</image:loc>
      <image:title>Other Works in the Studio - Make it stand out</image:title>
      <image:caption>chewycleft 3 oil on canvas 50x40cm 2009</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/ccb5dc72-e009-4715-82d7-014e9be1d218/satin_screenshot01.jpg</image:loc>
      <image:title>Other Works in the Studio - Make it stand out</image:title>
      <image:caption>Wondergate#4, 2023 Edition 5 of 5 Inkjet Print on Satin (Satin size: 200 x 126 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/cbf4529a-a859-4796-9769-e93d90206262/satin_screenshot02.jpg</image:loc>
      <image:title>Other Works in the Studio - Make it stand out</image:title>
      <image:caption>Wondergate#3 2023 Edition 5 of 5 Inkjet Print on Satin (Satin size: 200 x 126 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/15acab9d-be9b-4aca-8510-a64f47fc363b/satin_screenshot03.png</image:loc>
      <image:title>Other Works in the Studio - Make it stand out</image:title>
      <image:caption>Wondergate#8 2023 Edition 5 of 5 Inkjet Print on Satin (Satin size: 200 x 126 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/33728680-9a8b-4230-a121-a0d05948976f/satin_screenshot04.jpg</image:loc>
      <image:title>Other Works in the Studio - Make it stand out</image:title>
      <image:caption>Wondergate#9 2023 Edition 5 of 5 Inkjet Print on Satin (Satin size: 200 x 126 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/822f0120-af07-4b95-a0e7-6ab81cc32ac7/satin_screenshot05.jpg</image:loc>
      <image:title>Other Works in the Studio - Make it stand out</image:title>
      <image:caption>Wondergate#6 2023 Edition 5 of 5 Inkjet Print on Satin (Satin size: 200 x 126 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/ccca2c94-645e-4202-ae4f-a84b6bf20419/satin_screenshot06.jpg</image:loc>
      <image:title>Other Works in the Studio - Make it stand out</image:title>
      <image:caption>Wondergate#5 2023 Edition 5 of 5 Inkjet Print on Satin (Satin size: 200 x 126 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/2178a387-7895-43d9-bf6d-0d2e2fe9e0b1/speakspindle-74.jpg</image:loc>
      <image:title>Other Works in the Studio - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/8fb5241f-52e8-4db2-a4b0-ef9123ca3822/%E3%82%B5%E3%83%86%E3%83%B3%E7%AB%8B%E4%BD%93-1_1.jpg</image:loc>
      <image:title>Other Works in the Studio - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/c07d271a-92a3-4a08-8c9c-68664761625a/%E3%82%B5%E3%83%86%E3%83%B3%E7%AB%8B%E4%BD%93-3_1.jpg</image:loc>
      <image:title>Other Works in the Studio - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/0c538895-a670-4ff5-aed4-5d1a871f31fd/%E3%82%B5%E3%83%86%E3%83%B3%E7%AB%8B%E4%BD%93-4_1.jpg</image:loc>
      <image:title>Other Works in the Studio - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/189c882d-c60a-4615-9bc3-1eac6f33f5ff/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2023-06-12+14.39.27.png</image:loc>
      <image:title>Other Works in the Studio - Make it stand out</image:title>
      <image:caption>Wondergate2 2023 Edition 5 of 5 Inkjet Print on Satin (Satin size: 200 x 126 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/935fd7f6-f787-4afa-b9dd-c9d8fc789e2b/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2023-06-13+10.19.11.png</image:loc>
      <image:title>Other Works in the Studio - Make it stand out</image:title>
      <image:caption>Wondergate#7 2023 Edition 5 of 5 Inkjet Print on Satin (Satin size: 200 x 126 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/f50d14a6-77ed-42c5-9c76-52af763d0ba5/%E3%82%B9%E3%82%AF%E3%83%AA%E3%83%BC%E3%83%B3%E3%82%B7%E3%83%A7%E3%83%83%E3%83%88+2023-06-13+10.05.14.png</image:loc>
      <image:title>Other Works in the Studio - Make it stand out</image:title>
      <image:caption>Wondergate#1 2023 Edition 5 of 5 Inkjet Print on Satin (Satin size: 200 x 126 cm)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/9dbd72c4-73ca-45fe-a0dc-74360c640c3d/paintings_previouswork_%E3%83%9A%E3%83%BC%E3%82%B8_08.jpg</image:loc>
      <image:title>Other Works in the Studio - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5aa0de6cfcf7fdc1a999653f/7122faaf-772a-449b-89bb-a896100ab802/old+painting.png</image:loc>
      <image:title>Other Works in the Studio - Make it stand out</image:title>
      <image:caption>Untitled, Collage, Acrylic on canvas, 250x130cm, 2007</image:caption>
    </image:image>
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    <loc>https://www.yutakainagawa.net/artistic-practice-and-scope-yutaka-inagawa</loc>
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    <lastmod>2025-08-11</lastmod>
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